It was back in 2007 when Toph Taylor and his peculiar voice and productions first presented a whole album as the first sign of life of Trouble Over Tokyo, an amazing band. We are used to immediately linking pop music to mainstream, big popstars’ lifestyle and chart topping but there are lots of bands and singers coming out lately reinforcing the idea of pop music as a genre, especially in the independent scene. Thank God for PopJustice, Amen.
Trouble Over Tokyo sounds like Justin Timberlake, but self-produced, which places them closer to (an early) Patrick Wolf in terms of sound. Beats travel with guitar riffs, high notes and electro drums. This project is really special, original and they take care of all the details of this homemade but very professional musical product. We really enjoyed all the drafted drawings of the Pyramids, first album that included the amazing tune Save Us, a really good example of a pop song that should be played on the radio nowadays if people were ready for evolution in terms of musical genres.
They are back now; they actually released the second album entitled “The Hurricane” last October. You can get the Cd plus a beautiful book related to the whole concept of this new piece. You can also purchase it on iTunes. Highlights of the record include the funny addiction and hit worthy Eject, and Kryptonite is a very respectable single with a very respectable video which you can watch below or above, depending on the position of the embed video the webmaster chooses for this article. Back to the music; Sleepwalkersounds very Of Montreal with a cool electronic twist, The Blood resembles Radiohead but more mystical and modern and Flames Flicker is a very dreamy pop song. The Hurricaneis a controlled psychedelic trip and Wanderer and Operate just increase the quality of this album.
If anybody remembers a 90’s band called Kemopetrol, this is a male version with the consequential progress of this new decade. Intense, special, peculiar, sentimental, alternative and accessible. Worthy.
There’s something quietly special about hobbies, those small rituals that give us space to breathe, to focus, and to connect with something real. Forét’s FW25 collection, Hobby Market, is a love letter to those moments.
Saint Laurent Rive Droite just teamed up with award-winning hearing protection brand Hears to drop a limited-edition pair of earplugs that combine luxury design with acoustic innovation.
It’s the bag you put inside another bag or the one you stuff full of everything else. It doesn’t care what it carries; it’s built to hold whatever you throw at it.
“MiMa is first and foremost a space for discovery and inspiration. That was a core idea from the very beginning, both in the way we curated the selection and in how we designed the space itself.”
FANG NYC’s FW25 collection pulls from creative director Fang Guo’s travels, from Georgia’s concrete Kartlis Deda monument to Crete’s pink sand beaches, to play with contrasts.
To celebrate the release of Senua’s Saga: Hellblade II on PlayStation 5, Ninja Theory has teamed up with London’s Passarella Death Squad for a limited capsule collection.
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
