What’s new about the hysteric girl rolling her body in the church floor while mimicking to her latest single? Nothing. It’s probably a new face and certainly her clothes have been updated. Still, it’s that same archetype woman, or gay man, that needs to have a Madonna moment crying out loud how bad she’s possessed by a male. Histrionic females (I’m including myself in the lead) are doomed. Doomed to be rejected precisely by the man they wanted to be loved by. We’ve came to accept this as a dominant and unsolvable criteria of the universe. No matter whom that guy might be: if you’re madly possessed, he will madly ditch you. Accept it. Take a pill; and have yourself a Florence/Madonna moment in front of your bathroom mirror, at least, twice a day. The psychology that feeds this process is simple: feeling the latent and eminent rejection that the male object is covering, a histrionic woman, will take it as a challenge and determines unconsciously to commit her whole self into buying those extra 60% of male love lacking from the relationship since the very beginning. Seems wicked? No. It’s just girlish. Girls will only desire what they feel it’s unavailable; and when it comes to men, the less available they are, the more obsessed they’ll be. Think shoes. Have you ever come across to a shoe fight at a Zara store? No. But you’ve certainly seen females being backstabbed over some vintage Chanel flats lost in the flea market racket of some Pakistani guy. Yes. They might cost the same, and probably both will make an impact (at least male wise concerned impact): but truth is, women will love the very object that says: unavailable, crime scene, or war zone. It’s the curse of beauty: to forever miss what you couldn’t have, and easily dismiss what you already have. End.
“MiMa is first and foremost a space for discovery and inspiration. That was a core idea from the very beginning, both in the way we curated the selection and in how we designed the space itself.”
FANG NYC’s FW25 collection pulls from creative director Fang Guo’s travels, from Georgia’s concrete Kartlis Deda monument to Crete’s pink sand beaches, to play with contrasts.
To celebrate the release of Senua’s Saga: Hellblade II on PlayStation 5, Ninja Theory has teamed up with London’s Passarella Death Squad for a limited capsule collection.
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
With a remarkable voice that challenges the status quo, Marval Rex is redefining cultural + transgender identities through the lens of comedy, performance, and thoughtful discourse.
Rombaut’s new drop, Ground I, is the latest step in their barefoot series, a shoe that keeps getting simpler, quieter, more like a sculpture than just footwear.
Somewhere between pop spellcasting and club catharsis, the line between artist and alter ego blurs into something feral, fabulous, and dangerously seductive.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
