What’s new about the hysteric girl rolling her body in the church floor while mimicking to her latest single? Nothing. It’s probably a new face and certainly her clothes have been updated. Still, it’s that same archetype woman, or gay man, that needs to have a Madonna moment crying out loud how bad she’s possessed by a male. Histrionic females (I’m including myself in the lead) are doomed. Doomed to be rejected precisely by the man they wanted to be loved by. We’ve came to accept this as a dominant and unsolvable criteria of the universe. No matter whom that guy might be: if you’re madly possessed, he will madly ditch you. Accept it. Take a pill; and have yourself a Florence/Madonna moment in front of your bathroom mirror, at least, twice a day. The psychology that feeds this process is simple: feeling the latent and eminent rejection that the male object is covering, a histrionic woman, will take it as a challenge and determines unconsciously to commit her whole self into buying those extra 60% of male love lacking from the relationship since the very beginning. Seems wicked? No. It’s just girlish. Girls will only desire what they feel it’s unavailable; and when it comes to men, the less available they are, the more obsessed they’ll be. Think shoes. Have you ever come across to a shoe fight at a Zara store? No. But you’ve certainly seen females being backstabbed over some vintage Chanel flats lost in the flea market racket of some Pakistani guy. Yes. They might cost the same, and probably both will make an impact (at least male wise concerned impact): but truth is, women will love the very object that says: unavailable, crime scene, or war zone. It’s the curse of beauty: to forever miss what you couldn’t have, and easily dismiss what you already have. End.
Burberry is celebrating its iconic Check scarf with a new portrait series. It features friends of the house, including Olivia Colman, Liu Wen, and Tyson Beckford.
Solomon Fox moves between worlds, Harvard and Hollywood, viral memes and soft bedroom beats, eighty acres of Virginia quiet, and the digital noise of now.
The arrival of Tame Impala’s new album “Deadbeat” is nothing short of a warm welcome back into the universe of creative sonic exploration that the Australian mastermind Kevin Parker has been charting since the project began.
Maison Margiela is entering the world of residential living. The house has launched Maison Margiela Residences, its first project dedicated to creating a living environment.
Marina Abramović’s exhibition at Saatchi Yates in London offers an intimate and fascinating glimpse into the world of one of performance art’s most iconic figures.
Photographer Ángela Ibáñez brings us a selection of the best looks photographed in the streets of Barcelona during 080 Barcelona Fashion, in exclusive for Fucking Young!
H&M is presenting its new collaboration with the Belgian designer Glenn Martens. This collection offers a wide range of customers the chance to own his unique designs.
Oliver Sim teams up again with Bullion (Nathan Jenkins), who was behind the previous single “Obsession,” to deliver an electro-pop track that feels both playful and deeply personal.
What connects the craft of Puglia to the design language of Copenhagen? The answer, much like a good meal, lies in the ingredients and the care put into it.
Before his installation drops at Design Miami.Paris on October 22, we sent Rohan off to Paris Men’s Fashion Week with a disposable camera and no rules.
trônes 2 picks up where the 2023 edition left off, an exciting collaboration with Romain Bitton and continues our exploration of what a “throne” can mean today.
Imagine a scene of classic elegance: a garden party, silk gowns, a golden afternoon. Then, the sun becomes too bright. This is where MELLER introduces its new sunglasses, called BADU.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.