And you thought 4/20 was yesterday, surprise! We have the full month of April for 2020.
According to Urban Dictionary, this is the urban legend that started it all.
“4:20 was the time of day some stoners at San Rafael High in Northern California (represent) would get together every day after school to smoke weed and get high. It is now a huge part of our culture, basically the word for the “weed culture.” It’s also a holiday, April 20th, (coming up!) and the only place to be at 4:20 on 4/20 is Hippie Hill in San Francisco. Hey dude look, it’s 4:20, take a hit! Shit, what are you doing on 4/20? GETTING HIGH OF COURSE“
If all the governments really wanted us to stay inside and watch TV, then they really need to legalize weed. Additionally, as we enter a recession it could be the industry to kick start the economies. More than a financial boost, do we really want people risking their lives to deliver when they could be behind the bar at a dispensary that looks like a real estate office, educating us with full transparency of the supply chain, ingredients and what we can expect? Do we want it as a way to continue racial profiling for possession? Let’s hope that by this time next year everyone can smoke in peace.
Lists have been circulating of stoner movies, but here is my top ten trippiest films to watch:
1. Enter the Void by Gaspar Noé
2. The Holy Mountain by Alexandro Jodorowsky
3. Donnie Darko by Richard Kelly
4. Holy Motors by Leos Carax
5. Spirited Away by Hayao Miyazaki
6. Lost Highway by David Lynch
7. Swiss Army Man by Daniel Kwan and Daniel Scheinert
8. The Warriors by Walter Hill
9. Predestination by Michael and Peter Spierig
10. Snowpiercer by Boon Joon-ho
BONUS: Cats by Tom Hooper
I was going to write the descriptions, but then I got high!
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Inspired by the hidden love stories of novels like Maurice, Swimming in the Dark, and Young Mungo, the collection moves through three emotional stages of queer coming-of-age: concealment, self-acceptance, and the bittersweet weight of memory.
Through its new CGI campaign, “Beyond Real, Beyond Now,” and a community-driven approach, REVERSIBLE is bridging the gap between inspiration and accessibility.
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Paris Fashion Week witnessed Steven Passaro’s Moonlit Lover Spring/Summer 2026 collection, an exemplar of the aftermath of love encountered after midnight and gone before sunrise.
Because home should never be denied to anyone. In a world where home shouldn’t be a privilege but a right, artist and activist Charlie Smits is stepping up. Smits has teamed up with Fundación… »
Craig Green’s Spring/Summer 2026 collection feels like a half-remembered dream with shapes you recognize, but shifted just enough to make you look twice.
Photographer Denzil Jacobs presents a selection of eclectic looks photographed on the streets of Paris during Men’s Paris Fashion Week, outside Amiri, Rick Owens, 3.Paradis, Kidsuper and more, exclusively for Fucking Young!
VIKTORANISIMOV chose an unlikely stage for its first Berlin Fashion Week presentation: a former telecommunications bunker, now The Feuerle Collection museum.
After the show, designer Feng Chen Wang caught up with us, to open up about the emotion behind this collection, and the brand’s evolving identity – accompanied by backstage moments captured by Leiya Wang.
Take a look at DOUBLET’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Take a look at KIDSUPER’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
For Camiel Fortgens’ SS26, models walked the actual streets of Paris during Fashion Week, portable speakers in hand, each playing a fragment of the show’s soundtrack.
Created with artist Samuel de Sabóia, the lineup weaves together regeneration, spirituality, and a question: What does the future of fashion look like?
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
