And you thought 4/20 was yesterday, surprise! We have the full month of April for 2020.
According to Urban Dictionary, this is the urban legend that started it all.
“4:20 was the time of day some stoners at San Rafael High in Northern California (represent) would get together every day after school to smoke weed and get high. It is now a huge part of our culture, basically the word for the “weed culture.” It’s also a holiday, April 20th, (coming up!) and the only place to be at 4:20 on 4/20 is Hippie Hill in San Francisco. Hey dude look, it’s 4:20, take a hit! Shit, what are you doing on 4/20? GETTING HIGH OF COURSE“
If all the governments really wanted us to stay inside and watch TV, then they really need to legalize weed. Additionally, as we enter a recession it could be the industry to kick start the economies. More than a financial boost, do we really want people risking their lives to deliver when they could be behind the bar at a dispensary that looks like a real estate office, educating us with full transparency of the supply chain, ingredients and what we can expect? Do we want it as a way to continue racial profiling for possession? Let’s hope that by this time next year everyone can smoke in peace.
Lists have been circulating of stoner movies, but here is my top ten trippiest films to watch:
1. Enter the Void by Gaspar Noé
2. The Holy Mountain by Alexandro Jodorowsky
3. Donnie Darko by Richard Kelly
4. Holy Motors by Leos Carax
5. Spirited Away by Hayao Miyazaki
6. Lost Highway by David Lynch
7. Swiss Army Man by Daniel Kwan and Daniel Scheinert
8. The Warriors by Walter Hill
9. Predestination by Michael and Peter Spierig
10. Snowpiercer by Boon Joon-ho
BONUS: Cats by Tom Hooper
I was going to write the descriptions, but then I got high!
HAIKURE’s SS26 collection, Come As You Are, is for people who want to feel good without the effort, who wear clothes that fit their lives, not the other way around.
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
We had the chance to catch up with Ohio-born, Brooklyn-based designer Kody Phillips in his Paris Fashion Week showroom where he unveiled his Spring/Summer 2026 collection.
Dean and Dan doubled down on their love of fashion’s most dramatic moments, remixing 80s power dressing, 90s grunge, and 2000s excess into something entirely their own.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
