And you thought 4/20 was yesterday, surprise! We have the full month of April for 2020.
According to Urban Dictionary, this is the urban legend that started it all.
“4:20 was the time of day some stoners at San Rafael High in Northern California (represent) would get together every day after school to smoke weed and get high. It is now a huge part of our culture, basically the word for the “weed culture.” It’s also a holiday, April 20th, (coming up!) and the only place to be at 4:20 on 4/20 is Hippie Hill in San Francisco. Hey dude look, it’s 4:20, take a hit! Shit, what are you doing on 4/20? GETTING HIGH OF COURSE“
If all the governments really wanted us to stay inside and watch TV, then they really need to legalize weed. Additionally, as we enter a recession it could be the industry to kick start the economies. More than a financial boost, do we really want people risking their lives to deliver when they could be behind the bar at a dispensary that looks like a real estate office, educating us with full transparency of the supply chain, ingredients and what we can expect? Do we want it as a way to continue racial profiling for possession? Let’s hope that by this time next year everyone can smoke in peace.
Lists have been circulating of stoner movies, but here is my top ten trippiest films to watch:
1. Enter the Void by Gaspar Noé
2. The Holy Mountain by Alexandro Jodorowsky
3. Donnie Darko by Richard Kelly
4. Holy Motors by Leos Carax
5. Spirited Away by Hayao Miyazaki
6. Lost Highway by David Lynch
7. Swiss Army Man by Daniel Kwan and Daniel Scheinert
8. The Warriors by Walter Hill
9. Predestination by Michael and Peter Spierig
10. Snowpiercer by Boon Joon-ho
BONUS: Cats by Tom Hooper
I was going to write the descriptions, but then I got high!
Take a look at Études Studio’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
Titled “Nothing could have prepared us / Everything could have prepared us”, this retrospective exhibition explores over thirty-five years of artistic practice across various photographic genres.
Hiroaki Sueyasu’s latest collection for KIDILL isn’t just about clothes but also about the people who once lived on the fringes, spinning their own worlds out of obsession and imagination.
Montblanc and Wes Anderson return with “Let’s Write,” the second chapter of their collaboration, and an ode to writing, imagination, and the journeys words inspire.
For their SS26 collection, presented at Paris’ Palais de Tokyo, creative directors Aurélien Arbet and Jérémie Egry continue their quiet conversation between art and utility.
Last week, CANEX Presents Africa x Tranoï opened their exclusive pop-up honoring the diversity and depth of African fashion at the Galeries Lafayette in Paris, running until July 8th.
Summer dressing should be easy, sharp when it needs to be, relaxed when it wants to be. MR PORTER’s High Summer Part 2 campaign gets that balance right.
We sat down with Pasqualetti the day after his show to discuss his creative process, how he approaches gender rules, and why being a young independent brand in Italy is no easy feat.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.