Sibling Fall/Winter 2017
by Claudia Rose Walder





















We weren’t expecting to see so much patriotism in light of Brexit, but Sibling are never a duo prone to mourning through their designs, instead their shows are always highly anticipated due to their vibrant and joyful designs, seen on vibrant and joyful faces. It was a collection so seemingly British given the Union Jack pins, 60s “King’s Road” silhouettes and Edwardian ruffs (knitted of course), yet the invitation misled us with an image of cracked mosaic in a bright African-style print. Although they describe their design process and influences as mosaic-like, it’s a powerful message to all that Britian too is like a mosaic, and it takes all kinds of people to make a successful nation.
Citing other references such as Antoni Gaudí and Jamaican musician, Lee “Scratch” Perry, the prints this season were cell-like webs of undulating lines, in salmons and blues on tightly fitted suits with cropped trouser legs. Sequins made a return in an almost zebra style print; these were seen worn on jumpers, brocade trousers and bomber jackets, which seem to be the most popular jacket style this season.
Knitwear was worn in chunky ruffles, along trousers seams, necks and on jumpers with such wide armholes they could be mistaken for ponchos. Broad flat caps were styled tilted to one side, enhancing the 60’s feel of the show: they were also embellished with pearl buttons, paying homage to the Pearly Kings and Queens, renowned throughout London due to their creatively decorated designs that aid their charitable work. Styling notes by the distinguished Judy Blame, were seen in silver chains worn from belt loops and necks, carrying pins and mini boxing gloves.
A Sibling show wouldn’t be itself without an array of finely groomed models with tanned, chiseled bodies, having the ability to excite and shame the audience simultaneously. The toned calf also made several appearances in a winter collection heavy in short styles. Hair was quaffed and well brushed, while makeup artists gelled the boy’s eyebrows with a navy hue, which managed to remain subtle, even if the Sibling designs are anything but.
Maharishi FW17 Backstage!
Wales Bonner Fall/Winter 2017
For LIVE FROM EARTH and Nike, the first official collaboration is a reason to throw a party
For those seeking to build an autumn wardrobe with pieces that last, this first look provides a strong and wearable starting point.
The British newcomer makes his breakout in The Institute, the gripping adaptation of Stephen King’s thriller, where he plays Luke Ellis.
Gentle Monster takes a fearless step with its 2025 BOLD Collection. The new designs feature an iconic bridge detail, creating a distinctive look that offers unique ways to style eyewear.
Patta’s new Fall/Winter collection draws its colors from the city.
In fashion, a good collaboration is more than just a product drop. It’s a conversation. The new capsule from Zadig & Voltaire and EGONLAB is exactly that.
Offset is stepping into a new chapter, and this time, he’s doing it under his real name.
Calvin Klein has launched its Fall 2025 denim campaign, and it stars SEVENTEEN’s Mingyu.
This August Bank Holiday weekend, something important is happening in Newcastle. Side Gallery is holding a print sale called 50×50.
AMIRI’s new campaign builds a world. For Fall/Winter 2025, the brand creates a pure fantasy of Hollywood, a city made of light, shadow, and memory.
Drôle de Monsieur has opened its first Asian flagship. It’s right in the heart of Seoul’s futuristic retail scene, inside The Hyundai Seoul department store.
Are you ready for the ride? Carne Bollente and Simons invite you to the Carne Ranch, an exclusive collaboration that captures the spirit of the Wild West and gives it a playful twist.
Aidan Glass captured by the lens of Keyr Castro and styled by Joel Sebastian, in exclusive for Fucking Young! Online.
This fall, Alpha Industries teams up with No Problemo (the offbeat sub-label from Aries) to put a fresh spin on the classic MA-1 bomber.
Desigual and BOTTER have joined forces to create High Tides, a collection that combines the Caribbean spirit of BOTTER with Desigual’s Mediterranean roots.
Check out this new video by ALEXAN, shot in Paris in exclusive for Fucking Young! Online.
Tennis style gets a fresh perspective with Y-3’s latest high-performance collection, merging athletic function with avant-garde design.
This capsule is about the beauty of daily life, shaped by the free, easy feeling of the 1970s Mediterranean coast.
After a successful first collaboration in 2024, the festival teams up again with The Queer Archive, an international art collective, to spotlight queer creativity in all its forms.
The PUMA’s H-Street is the star in this new Fucking Young! editorial, starring Duot and Valera photographed by Noah Pharrell and styled by Elisa Sanz.
The “DUALITY” collection by A Sinner in Pearls isn’t about choosing sides but about holding two truths at once.
Santino Calvani, Bigoa Biel, Christian de Putron and Micah Walk shot by Julia Godoy and styled by Agustina Rey Francos, in exclusive for Fucking Young! Online.
The collection pulls from Tommy’s archives, mixing nautical vibes with technical upgrades.
Stig Lübben at KULT MODELS Germany photographed by Fred Elfeld and styled by Nawid Qureischi, in exclusive for Fucking Young! Online.
There’s something quietly special about hobbies, those small rituals that give us space to breathe, to focus, and to connect with something real. Forét’s FW25 collection, Hobby Market, is a love letter to those moments.
Saint Laurent Rive Droite just teamed up with award-winning hearing protection brand Hears to drop a limited-edition pair of earplugs that combine luxury design with acoustic innovation.
Dylan Wrona photographed and styled by Keyr Castro, in exclusive for Fucking Young! Online.
Ilona Staller, better known as Cicciolina, is turning up the heat this Ferragosto with a limited-edition T-shirt series.
Salomon’s XT-Whisper Void is a shoe built for movement, but made for personality.
It’s the bag you put inside another bag or the one you stuff full of everything else. It doesn’t care what it carries; it’s built to hold whatever you throw at it.