Cream Soda — are a pop-trio hailing from Russia responsible for one of the greatest Russian tracks of 2019 ‘Никаких больше вечеринок’ and the isolation hymn ‘Плачу на техно’. The project has been highly praised by the local press calling it one of the most interesting contemporary projects in Russia.
‘Меланхолия’ (Melancholy) — their new music video, was entirely generated by the artificial neural network. This experiment was created having in mind not only the Russian scene but also the international market. The Cream Soda musicians were among the first to succeed in creating a music video in collaboration with AI: the digital painter – as Anya, Dima and Ilya metaphorically call the neural network – transformed the track’s lyrics into visual imagery.
“The artificial intelligence analyzed our lyrics and transformed each sentence into a canvas. We thought this to be so fresh and incredible that we decided to make a music video out of it. This was our way to demonstrate how technologies are influencing contemporary culture’” – said the artists.
According to Cream Soda even though the video has been created based on a structured mathematical theory, what happens inside the system after the launch still remains a mystery even to its creators. Today we can see the difficulties that the A.I. encounters while trying to understand the man, but at the same time we understand the potential of this technology and it’s extremely interesting to observe its evolution.
Marina Abramović’s exhibition at Saatchi Yates in London offers an intimate and fascinating glimpse into the world of one of performance art’s most iconic figures.
Photographer Ángela Ibáñez brings us a selection of the best looks photographed in the streets of Barcelona during 080 Barcelona Fashion, in exclusive for Fucking Young!
H&M is presenting its new collaboration with the Belgian designer Glenn Martens. This collection offers a wide range of customers the chance to own his unique designs.
Oliver Sim teams up again with Bullion (Nathan Jenkins), who was behind the previous single “Obsession,” to deliver an electro-pop track that feels both playful and deeply personal.
What connects the craft of Puglia to the design language of Copenhagen? The answer, much like a good meal, lies in the ingredients and the care put into it.
Before his installation drops at Design Miami.Paris on October 22, we sent Rohan off to Paris Men’s Fashion Week with a disposable camera and no rules.
trônes 2 picks up where the 2023 edition left off, an exciting collaboration with Romain Bitton and continues our exploration of what a “throne” can mean today.
Imagine a scene of classic elegance: a garden party, silk gowns, a golden afternoon. Then, the sun becomes too bright. This is where MELLER introduces its new sunglasses, called BADU.
At 080 Barcelona Fashion, Andalusian label Lemāchet unveils an intimate, refined collection that turns nostalgia into a statement of style while it celebrates emotion as the new form of masculinity.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
