In Britain, there’s a company that’s found a unique way to deal with waste – by turning it into something valuable. Elvis & Kresse is a business that’s all about giving new life to materials that would otherwise be thrown away.
Back in 2005, Kresse Wesling and James Henrit, the co-founders, noticed that London’s old firehoses were just being discarded. They saw this as a waste of good material. So, they started making luxury accessories out of them, like bags and laptop cases. But they didn’t stop at firehoses. They began looking for other materials that people thought were useless and started making them into high-quality items. Their products are unique because they’re made from 100% recycled textiles.
Their efforts caught the attention of the Burberry Foundation, leading to a partnership aimed at tackling the global issue of leather waste. Together, they’ve transformed over 120 tonnes of leather scraps into new, luxurious items.
Half of their profits go to charity, supporting causes related to the materials they rescue. The Fire-Hose collection’s profits help The Fire Fighters Charity, while the rescued leather profits support Barefoot College International.
Today, Elvis & Kresse’s skilled team works with 15 different reclaimed materials to create beautifully designed bags and homeware. Their Fire & Hide Collection is a testament to their innovation, merging the durability of fire hoses with the elegance of rescued leather from Burberry. Check it out below:
With this collection, Ludovic de Saint Sernin crowns a new aristocracy. In this world, elegance is a form of liberation, sensuality is power, and the ultimate luxury is belonging.
Maison Kitsuné presents its SS26 collection, titled Voyage Vestiaire. This season marks the debut of the house’s new Creative Director, Abigail Smiley-Smith.
Alessandro Michele unveils his Valentino SS26 collection, “Fireflies,” a sartorial manifesto inspired by Pier Paolo Pasolini’s writings on finding light and desire in the dark.
Ann Demeulemeester is known for creating a strong contrast between structure and softness, but for Spring/Summer 2026, it was the softer side that came out.
Artist Josué Thomas presents a photographic project titled I ♥ Paris (quand ce n’est pas la fashion week). It is a meditation on the city, focusing on the life that exists beyond its most famous events.
Guided by designer Daisuke Obana’s philosophy of deconstruction and reassembly, the capsule collection filters Baracuta’s British heritage through a minimalist and detail-oriented lens.
The fashion label grounds presented its SS26 collection in a raw, brutalist parking garage during Paris Fashion Week. The setting set the tone for what was inside.
The act of getting dressed is a personal audition for the day ahead. We create a silhouette and try on different versions of ourselves until the look fits the part we want to play.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
