Body architect Lucy McRae makes her debut as a director with this kaleidoscopic dance clip for Australian synth-pop outfit Rat Vs Possum.
Lucy developed a summer school concept alongside Melbourne’s RMIT University working with their architecture, fashion, media and interior design students. This pioneering framework aims to unite students with brands and the music industry giving them the opportunity to work directly with industry professionals on a real project. She approached Rat Vs Possum to see if they would be interested in Lucy and twenty of the University’s top design talent to unite forces and facilities in an intense three week production.
Lucy is currently in discussion with institutions across the globe to replicate this framework that offers a fresh and pragmatic strategy that summons a new direction in creative education, beckoning what is tipped to become the ‘Lucy McRae School’.
Rat Vs Possum’s Let Music and Bodies Unite is a dance-inspired party album with a music video to match! Trained as a classical ballerina and renowned as a pedigree artist Lucy creates her very own Rock Eistedford! (an Australian nationwide competition for music, dance and drama school students).
Lead vocalist Daphne Shum takes us on her journey through her two disparate worlds; whimsical dance choreographies that reference synchronised swimming and a high school science lab are some of the scenes in this fun, theatrical, orchestrated puppet show. These two realities are united by the metallic clad vocalist, Daphne driving these kaleidoscopic worlds. Acclaimed video artist Kit Webster re-projects looped footage back into these worlds to add a synth-pop undertone which perfectly befits the feel of this album
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
We had the chance to catch up with Ohio-born, Brooklyn-based designer Kody Phillips in his Paris Fashion Week showroom where he unveiled his Spring/Summer 2026 collection.
Dean and Dan doubled down on their love of fashion’s most dramatic moments, remixing 80s power dressing, 90s grunge, and 2000s excess into something entirely their own.
Telekom Electronic Beats (TEB) and 032c are turning 25, and they’re celebrating with a capsule collection and an installation by Harry Nuriev. Titled All is Sound.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.