Body architect Lucy McRae makes her debut as a director with this kaleidoscopic dance clip for Australian synth-pop outfit Rat Vs Possum.
Lucy developed a summer school concept alongside Melbourne’s RMIT University working with their architecture, fashion, media and interior design students. This pioneering framework aims to unite students with brands and the music industry giving them the opportunity to work directly with industry professionals on a real project. She approached Rat Vs Possum to see if they would be interested in Lucy and twenty of the University’s top design talent to unite forces and facilities in an intense three week production.
Lucy is currently in discussion with institutions across the globe to replicate this framework that offers a fresh and pragmatic strategy that summons a new direction in creative education, beckoning what is tipped to become the ‘Lucy McRae School’.
Rat Vs Possum’s Let Music and Bodies Unite is a dance-inspired party album with a music video to match! Trained as a classical ballerina and renowned as a pedigree artist Lucy creates her very own Rock Eistedford! (an Australian nationwide competition for music, dance and drama school students).
Lead vocalist Daphne Shum takes us on her journey through her two disparate worlds; whimsical dance choreographies that reference synchronised swimming and a high school science lab are some of the scenes in this fun, theatrical, orchestrated puppet show. These two realities are united by the metallic clad vocalist, Daphne driving these kaleidoscopic worlds. Acclaimed video artist Kit Webster re-projects looped footage back into these worlds to add a synth-pop undertone which perfectly befits the feel of this album
Marnix Eyckmans photographed by Aitana Valencia and styled by Ana San José with SS26 pieces from Dior Men, for the DREAMCORE issue of Fucking Young! magazine.
Madrid is preparing to welcome one of the most powerful emerging voices on the indie scene: Sombr, the young New York artist who has turned his raw sensitivity and generational vision into a global phenomenon.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Out of Australia’s sticky summer nights comes Full Flower Moon Band — a name that’s gone from whispered cult obsession to one of the country’s most ferocious live exports.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
