The Prada Holiday 2025 campaign tells a winter’s tale. It is a story of a voyage through a pristine snowscape, a quest of rediscovery, and a return. The central image is a car journey through crystalline white trees, an emblem of the season that feels both timeless and cross-generational. It is a universal story of coming home.
The campaign has a cinematic scope, continuing a long tradition for Prada of drawing inspiration from film. Shot by Glen Luchford, the epic vision is brought to life by a cast of international talents: Maya Hawke, Damson Idris, Louis Partridge, Letitia Wright, and Li Xian. They appear as a group of friends, a chosen family on a trip together.
The campaign does not show a beginning or an end. Instead, it finds the characters in the middle of their excursion. In the campaign film, reality transforms into fantasy as a nighttime forest becomes miraculously illuminated. It frames the holiday season as a time for kinship, for sharing stories, and for moments of wonder.
The 17th FASHIONCLASH Festival filled three November days in Maastricht with performances, films, workshops and shows made by students, activists and designers from over 25 countries.
With over two decades of dedicated experience in the fashion industry, Andrea Moore has forged a distinctive path, blending vibrant colors and innovative materials into gender-neutral designs that resonate with today’s diverse audience.
Saint Laurent Rive Droite has introduced its first Advent calendar. The project is a unique vinyl box set curated by Creative Director Anthony Vaccarello.
We headed down to Geneva over the weekend for the HEAD Fashion Show, made up of 23 Bachelor and 8 Master graduate collections offering a fresh, diverse, and contemplative reading of what clothing can be today.
Over four intense days, 30 students from across Europe breathed strange, electric life into discarded garments — relics pulled back from the brink and reimagined with hands that refuse to waste. What emerged wasn’t just clothing, but a shared vocabulary: sustainability as a dialect, mending as a manifesto.
AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
