The release of a new sneaker often follows a familiar pattern. But the collaboration between Patta and Nike for the Air Max DN8 follows a different rhythm. It is built around an idea: “Get Familiar.” This phrase is central to Patta’s language. It means to pay attention, to understand where culture comes from, and to see the new wave as it forms.

For this campaign, that idea finds a home in a simple image: the couch. It is an ordinary object, but one that holds meaning. It is a place for people to gather, to talk, and to connect. It is where relationships are built. This image moves the campaign away from a simple product launch and toward something more human.

This approach is reflected in the global release. Instead of one event, the shoe is being introduced city by city. Each location (Los Angeles, Marseille, Seoul) gets a two-day pop-up shop created with local partners. These partners, like Union in LA or Worksout in Seoul, are important parts of their own communities. The strategy places the shoe directly into local contexts.

The campaign visuals continue this theme. Photographers Shaniqwa Jarvis and Ilyes Griyeb captured local creatives in each city. The images feature artists, designers, and musicians whose work reflects the energy of their environment. We see culture as it exists, grounded in local stories but also connected across the world.

The Patta x Nike Air Max DN8 itself has specific features. The uppers use patent leather, and the Air Bags have a vintage yellow color. There are 3M laces and brushed metallic carabiner details. Patta’s branding appears on the tongue, sockliner, and Air Bag. A heavy knit mesh underneath provides breathability, making the shoe for everyday wear.

The release schedule mirrors the local focus. Special “Peach and Volt” colorways are available only at the pop-up events. The main releases are then staggered by region: Sand and Blue for the U.S., Black for Europe, the Middle East, and Africa, and White for Asia. A special T-shirt debuts in Marseille before a wider release.

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