Paradiso Lussemburgo by Filip Markiewicz
by Adriano Batista

View of the exhibition: Limbic Theater section, with Nature morte, 2015 © Filip Markiewicz / Photo: Christian Mosar
Filip Markiewicz is a visual artist, performer, filmmaker and musician. His work combines various genres and mediums to reveal the violence of reality in the political and moral realm. At the Ca’ del Duca, the Luxembourg Pavilion at the 56th International Art Exhibition – la Biennale di Venezia, he presents Paradiso Lussemburgo: a documentary, critical and sentimental “portrait” of the Grand Duchy.
With Paradiso Lussemburgo, Filip Markiewicz presents a mental image of Luxembourg combined with a reflection on contemporary identity. Through its title, Paradiso Lussemburgo evokes both the Paradise of Dante, the movie Cinema Paradiso by Giuseppe Tornatore and tax havens.
As the artist points out: “What interests me is, on the one hand, the mythological aspect, close to the fable, and on the other hand, popular appearance. The various waves of immigration recorded since the beginning of the twentieth century in Luxembourg have led to the country being seen as a sort of haven for integration. Again, there is FILIP MARKIEWICZ PARADISO LUSSEMBURGO a strong allusion to the image of Luxembourg given by some foreign media, the tax haven, a theme addressed here head-on but also with a certain irony.”
The work takes the form of a vast «total» theatre that fully occupies six rooms of the pavilion. At once museum, creative laboratory, a place of cultural entertainment combining dance, performance, DJing, reading, architecture and music, Paradiso Lussemburgo presents Luxembourg, in the European and global context, as a national sample in which the various nationalities and cultures constituting the same identity, are combined. It is a journey to the outer limits of a plural and complex identity, in a way that is both critical, political and fantastical.

The Empty Sound of Europe, 2015 © Filip Markiewicz / Photo: Christian Mosar

The Forest section, with The Life and Death of The Forest, 2015 © Filip Markiewicz / Photo: Christian Mosar

Actress Leila Schaus sings “Silence is louder than a revolution” at the Venice Biennale Luxembourg Pavilion Opening / Photo: Sven Becker

Paradiso Lussemburgo by Filip Markiewicz |56. Venice Biennale Luxembourg Pavilion Opening / Photo: Sven Becker

Paradiso Lussemburgo by Filip Markiewicz |56. Venice Biennale Luxembourg Pavilion Opening / Photo: Sven Becker

Filip Markiewicz by Raftside
DURATION: From 9th May until 22nd November 2015
OPENING HOURS: From 10 am to 6 pm Closed on Mondays CLOSED ON MONDAYS.
LUXEMBOURG PAVILION Ca’ del Duca Corte del Duca Sforza San Marco 3052, Venezia
MATEU-S Fall/Winter 2015 Lookbook
Eyal Booker by Andrew James Lamb
The book challenges narrow ideas of beauty and masculinity by simply letting men exist, unpolished and unapologetic, across generations.
The Guggenheim Museum Bilbao has opened the Barbara Kruger exhibition, Another day. Another night., curated by Lekha Hileman Waitoller and sponsored by Occident. This exhibition expands her audience and influence while pushing the limits of modern art… »
Forget ironed polos and pristine blazers. Peter Wu’s Spring/Summer 2026 collection is a tribute to the thrifted sweaters, the cut-off Dickies, the flannel pajama pants worn to early morning lectures.
Amsterdam’s Daily Paper has teamed up with Oakley to reimagine the Gascan sunglasses, combining streetwear storytelling with technical innovation.
Berlin’s KitKat Club became the perfect runway for #DAMUR’s Spring/Summer 2026 collection, “Get Wet.”
COLRS unveiled its Spring/Summer 2026 collection “JUMPING FENCES” during Berlin Fashion Week, bottling the reckless energy of a Brazilian summer.
On July 1st at Berlin’s old Tempelhof Airport, BALLETSHOFER staged a runway show that challenged how we dress for travel.
At Berlin Fashion Week, Andrej Gronau presented its Spring/Summer 2026 collection, Alpine Fiction.
At Berlin Fashion Week, Orange Culture unveiled its Spring/Summer 2026 collection, “In the Shadows.”
Berlin Fashion Week served as the stage for SF1OG’s SS26 collection, a deeply personal examination of love’s darker edges, obsession, fragility, and emotional unraveling.
Lenny aka Futura 2000, took the time to speak with us ahead of the exclusive launch.
This summer, Ludovic de Saint Sernin revisits Fire Island to relaunch its swim line with a campaign steeped in erotic freedom and community reverence.
Chitose Abe remains one of the most avant-garde voices of her generation, capable of injecting freshness, desire, and direction into a fashion that needs it more than ever.
K-Way’s new men’s summer collection focuses on keeping things cool, comfortable, and practical.
PUMA and JJJJound have done it again. Their latest collaboration takes the spiked silhouette of the 1999 PUMA Mostro and strips it down to its essentials.
This Pride month, The Barcelona EDITION isn’t just waving a flag—it’s becoming one. From graphic art explosions to drag royalty brunches, the hotel pulses with a raw, vivid celebration of queer creativity, inclusion, and unfiltered joy.
At Galerie Sultana, Gardouch presented its second collection, Playing Pretend, not as mere clothing but as objects that hold fragments of memory.
Zico steps into the brand’s world as part of its ongoing mission to connect with cultural leaders across fashion, music, and art.
The “White” Pack reimagines Skepta’s signature Skope Forever sneaker in an arctic palette.
The question hangs heavy in the air: How do we keep making clothes when the world burns?
Haderlump’s Spring/Summer 2026 collection breathes new life into Ex Libris, translating these historical markers into wearable narratives.
Francesco Risso joined forces with artists Olaolu Slawn and Soldier Boyfriend for something raw, immediate, and deeply personal.
For Spring/Summer 2026, David Koma presented I LOVE DAVID at Berlin Fashion Week, a menswear collection that balances humor with depth.
SLⱯY, unveiled during Berlin Fashion Week, takes the ancient tale of Saint George and the Dragon and flips it into a meditation on modern battles.
Change isn’t always about moving forward, but sometimes, it’s about holding on. For their Spring/Summer 2026 collection, Milieuschutz, Richert Beil explores exactly that tension.
Inspired by the hidden love stories of novels like Maurice, Swimming in the Dark, and Young Mungo, the collection moves through three emotional stages of queer coming-of-age: concealment, self-acceptance, and the bittersweet weight of memory.
Through its new CGI campaign, “Beyond Real, Beyond Now,” and a community-driven approach, REVERSIBLE is bridging the gap between inspiration and accessibility.
Eugenio Elverdin photographed by Lucas Ricci and styled by Gaston Olmos, in exclusive for Fucking Young! Online.
There’s a particular kind of freedom that comes with movement, and AMBUSH’s Spring/Summer 2026 collection, “Tribe on the Move,” captures that feeling.
Louis Vuitton’s latest travel campaign takes viewers on a visual journey through China, reimagining travel as an experience rather than just a destination.