In the history of the Air Jordan lineage, there’s always been a balance between innovation and style.
For instance, the Air Jordan II is as famous for its sophisticated Italian look as it is for its innovative sole unit. The lightweight nubuck and mesh-filled cutouts of the IV displayed swagger, but were chosen more for inherent performance benefit. And the decision to use a patent-leather upper for the XI was a first choice as much for the material’s resiliency as it was for its suit-ready vibe. The list goes on, through the all-new Air Jordan XXXII, a shoe inspired by the essence of the Air Jordan II, but filled with its fair share of more-than-meets-the-eye tech.
While the Air Jordan II’s luxury leathers, textures and shaping most evidently express craft, what’s underfoot best explains the shoe’s true place in the Jordan evolution. At the time, the sole unit, which relies on a direct-injection PU, required Italian ingenuity — and subsequently brought NIKE, Inc. a step forward in footwear design and engineering. Similarly, the Air Jordan XXXII benefits from a deep Nike mastery in proprietary knits for the first-of-its-kind Flyknit upper with high-tenacity yarn.
“With Jordan shoes, we obsess the style in a way that puts many of the performance elements under the hood, so to speak,” explains the XXXII’s designer, Tate Kuerbis. “For example, I wanted to make the laces just disappear into the knit structure, but inside there is a whole harness system with webbing that really locks down your foot.”
Formed with high-tenacity yarns, the Air Jordan XXXII’s Flyknit upper propels a new level of performance and comfort for on-court shoes. More flexible than any previous Jordan upper, the XXXII’s knit structure reduces stiffness at the forefoot and modernizes the moccasin-like toe box of the Jordan II. The digital craft of the knit is balanced by a more traditional application of a molded leather or suede at the heel counter — a feature that underscores a level of sport luxury that’s been tied to Jordan DNA since the II.
For the first time, the Air Jordan XXXII will launch globally in a mid and low version.
Aún es pronto para ser feliz isn’t looking for answers. It sits in the discomfort, embracing the idea that maybe, right now, not being okay is part of the process.
Marnix Eyckmans photographed by Aitana Valencia and styled by Ana San José with SS26 pieces from Dior Men, for the DREAMCORE issue of Fucking Young! magazine.
Madrid is preparing to welcome one of the most powerful emerging voices on the indie scene: Sombr, the young New York artist who has turned his raw sensitivity and generational vision into a global phenomenon.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Out of Australia’s sticky summer nights comes Full Flower Moon Band — a name that’s gone from whispered cult obsession to one of the country’s most ferocious live exports.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.