Travis Cannata @Ford is the new face of Mugler menswear for Spring/Summer 2012 campaign. Its Spring/Summer 2012 collection “Brothers of Arcadia” is set to launch with a film by Branislav Jankic and catwalk show during Paris Fashion Week on Wednesday 22nd June. The film will have a special uncensored edition to be revealed late on Xtube.
Nicola Formichetti explained, “I was interested in the idea of fantasy, dreams and voyeurism. I also liked the idea of modern and ancient myths. I live in New York but grew up in Rome with the baroque and classical architecture and sculpture everywhere. So I suppose this project is a combination of the two things, there are surfers, footballers and classical gods all rolled into one in this film. I was looking at Italian Neo-Realist cinema and then post that, where Fellini and Pasolini become more about myth and fantasy. At the same time, I loved the idea and accessibility of pornography and that everyday voyeurism on X tube. Fashion is always referencing pornography, so there was and element in doing this film of just ‘cutting out the middleman’, but it is an erotic fashion film nonetheless.”
Marnix Eyckmans photographed by Aitana Valencia and styled by Ana San José with SS26 pieces from Dior Men, for the DREAMCORE issue of Fucking Young! magazine.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Out of Australia’s sticky summer nights comes Full Flower Moon Band — a name that’s gone from whispered cult obsession to one of the country’s most ferocious live exports.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
