French singer-songwriter Zed Yun Pavarotti isn’t afraid to explore musical genres from cloud rap, rock, pop, and even trap. Since the release of his first mixtape Grand Zéro in 2018, he found himself a rising star of French rap. The shape-shifting artist is no longer a rapper, not quite a rocker, but a singer with many faces. His style is as rich and varied as his music.
After hitting the stage at Fursac’s concert meets fashion party during Paris Fashion Week, we sent photographers Marc Medina and Liza Prykhodko backstage at Maroquinerie to ask some of our favorite “Get to Know You” fashion questions.
We are taking a break from music, to talk fashion. What is your fashion era?
I think I’m more 90s, with a bit of 20s.
Do you mean 90s like Spice Girls?
Why not?! I just have to lose some weight (laughs).
Did you have a style icon growing up? Like Mel B?
Mine was Liam Gallagher.
If you could bring back one trend what would it be?
I old jackets, used, worn in, like the one Robert Patterson is wearing in the movie Good Time. The jacket that I am wearing, but in ten years, when it is stressed a bit.
Any fashion trends that you regret sporting?
I was a goth, emo.
Tonight you played in Fursac. How would you describe their vibe?
The thing that is usually hard to find is something that is both urban and classy. It is hard to combine the two because I want something that looks good and isn’t constrictive. There’s also a coolness with them that I like.
Editor’s Pick: Check out Girlfriend from his 2023 album Encore!
“MiMa is first and foremost a space for discovery and inspiration. That was a core idea from the very beginning, both in the way we curated the selection and in how we designed the space itself.”
FANG NYC’s FW25 collection pulls from creative director Fang Guo’s travels, from Georgia’s concrete Kartlis Deda monument to Crete’s pink sand beaches, to play with contrasts.
To celebrate the release of Senua’s Saga: Hellblade II on PlayStation 5, Ninja Theory has teamed up with London’s Passarella Death Squad for a limited capsule collection.
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
With a remarkable voice that challenges the status quo, Marval Rex is redefining cultural + transgender identities through the lens of comedy, performance, and thoughtful discourse.
Rombaut’s new drop, Ground I, is the latest step in their barefoot series, a shoe that keeps getting simpler, quieter, more like a sculpture than just footwear.
Somewhere between pop spellcasting and club catharsis, the line between artist and alter ego blurs into something feral, fabulous, and dangerously seductive.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
