Charaf Tajer presented his Spring/Summer 2022 collection for Casablanca through a video directed by Nathalie Canguilhem.
The set design for the Printemps-été 2022 film is inspired by 90’s Japanese ads for new technology, in which companies such as Sony, Honda and Panasonic led the way globally. This film is a recognition of this technology and innovation. A time when the salaryman helped keep the city moving, where clothing had to have both style and functionality, adapting to fast-paced cities and communities.
Creative Direction & Designed by: Charaf Tajer
Director: Nathalie Canguilhem
Executive Producers: Gary Farkas & Olivier Muller
Production: Phantasm
Stylist: Anna Trevelyan
Styling Assistants: Margherita Alaimo & Estelle Rosenthal
Make up: Naima Bremer
Hair: Ilham Mestour
Casting: Ikki Casting
Shoes by: Casablanca x New Balance
Marnix Eyckmans photographed by Aitana Valencia and styled by Ana San José with SS26 pieces from Dior Men, for the DREAMCORE issue of Fucking Young! magazine.
Madrid is preparing to welcome one of the most powerful emerging voices on the indie scene: Sombr, the young New York artist who has turned his raw sensitivity and generational vision into a global phenomenon.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Out of Australia’s sticky summer nights comes Full Flower Moon Band — a name that’s gone from whispered cult obsession to one of the country’s most ferocious live exports.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
