The now Moscow-based trio Little Big just announced their brand new Backstreet Boys ‘Everybody’ cover. The new single is part of the band ‘COVERS’ EP released this week that includes tracks they grew up with. “It’s because of these tracks that we’ve become who we are today’’ have said the band.
The accompanying music video to Everybody became the most massive and expensive music video in the band’s history. It didn’t happen on purpose, it had to happen that way in order to bring the whole concept to life.
“During the writing session of the cover, we understood how amazing that track was. It’s a damn banger! We fell in love with it, but in the beginning, we wanted to avenge our childhood.”
The band decided to recreate the iconic Nirvana’s Nevermind cover as a form of tribute and simply because they feel like doing it. If they feeling like dropping a heavy tune — they drop We Are Little Big. If they feeling like dropping covers — they will drop covers. If they feeling like dropping an album — they’ll drop an album. If they feeling like not doing a shit — they won’t do shit. They don’t have contracts with anyone they don’t owe anyone a thing.
HAIKURE’s SS26 collection, Come As You Are, is for people who want to feel good without the effort, who wear clothes that fit their lives, not the other way around.
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
We had the chance to catch up with Ohio-born, Brooklyn-based designer Kody Phillips in his Paris Fashion Week showroom where he unveiled his Spring/Summer 2026 collection.
Dean and Dan doubled down on their love of fashion’s most dramatic moments, remixing 80s power dressing, 90s grunge, and 2000s excess into something entirely their own.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
