Humberto Leon & Carol Lim’s Fall/Winter 2016 campaign movie for KENZO, “The Realest Real“, delves into the 21st century construct of contemporary fandom – that omnipresent temptation of the public to fall desperately for their silver screen idols.
With social media infiltrating our lives and disintegrating the barriers between what is ordinary and what is celebrity, KENZO takes a surreal look at the invisible digital walls that separate us from our favourite personalities and icons, and the curious conceit of a dream come true.
Mom. I’m dead. Marry me. These commonplace Instagram comments are woven into a narrative labyrinth where everyday people find themselves not only face-to-face with their celebrity crush, but plunging head first into the neurotic realities.
Written and directed by “Portlandia’s” Carrie Brownstein, “The Realest Real” explores satire in the post-internet age, unfolding in improbable directions and viewed through her unapologetic, polished, yet pedestrian lens.
Marnix Eyckmans photographed by Aitana Valencia and styled by Ana San José with SS26 pieces from Dior Men, for the DREAMCORE issue of Fucking Young! magazine.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Out of Australia’s sticky summer nights comes Full Flower Moon Band — a name that’s gone from whispered cult obsession to one of the country’s most ferocious live exports.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
