Channel 4’s Random Acts has partnered with Tate to present six films in response to their new exhibition, “Queer British Art 1861-1967“. These captivating short films provide glimpses into LGBTQ lives through intimate portraits of six individuals. The films use differing styles of storytelling, with each queer filmmaker bringing their own creative approach.
The first in the series of films is directed by Joe Stephenson and features Scott Chambers and Ian McKellen. Scott Chambers gives an emotional performance evoking the feelings of a young Ian McKellen, as the acclaimed actor narrates his account of growing up in a time when there was no possibility of being out as a young gay man. McKellen explains
“one of the reasons I proselytize, talk about being gay is because I don’t want today’s children not to enjoy their sexuality and be aware of it”.
Featuring works from 1861–1967 relating to lesbian, gay, bisexual, trans and queer (LGBTQ) identities, Tate Britain’s latest exhibition ‘Queer British Art 1861–1967′ marks the 50th anniversary of the partial decriminalization of male homosexuality in the UK. The show explores how artists expressed themselves in a time when established assumptions about gender and sexuality were being questioned and transformed. Watch the first installment below:
“Queer British Art 1861-1967” is on at Tate Britain until 1st October.
Marnix Eyckmans photographed by Aitana Valencia and styled by Ana San José with SS26 pieces from Dior Men, for the DREAMCORE issue of Fucking Young! magazine.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Out of Australia’s sticky summer nights comes Full Flower Moon Band — a name that’s gone from whispered cult obsession to one of the country’s most ferocious live exports.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
