Guitarricadelafuente’s Futuros Amantes (Future Lovers) is a song about longing—about the way we miss the passion of the past while trying to make sense of love in a world that moves too fast. It’s the story of a young man leaving home, trading small-town sunsets for the bright lights of Madrid, watching as the city changes and so does the way people connect.
The song paints a picture of fleeting relationships—hotel rooms, brief encounters, moments that feel meaningful but don’t last. There’s excitement in them, a kind of freedom, but also loneliness. The lyrics capture a generational unease: the struggle between old ways of loving and new ones that sometimes feel shallow, like love has become just another trend to try on and discard.
There’s a reference to Bel-Ami, the classic novel about ambition and charm, but here it’s not a criticism—just a recognition that love, now, can feel like a performance. Yet even in that, there’s something alive, something real.
Futuros Amantes walks the line between freedom and emptiness, making us wonder: was it ever better? Or is this just how love is now?
Tour 2025
18.05 – Bilbao (Euskalduna Palace)
24.05 – A Coruña (Coliseum)
29.05 – Seville (Cartuja Center)
01.06 – Valencia (Nits de Vivers)
04.06 – San Sebastian (Kursaal)
06.06 – Zaragoza (Multipurpose Room)
21.06 – Las Palmas (Open Sea Festival)
22.06 – Santa Cruz de Tenerife (Open Sea Festival)
27.06 – Granada (Congress Palace)
02.07 – Barcelona (Alma Festival)
03.07 – Barcelona (Alma Festival)
21.08 – Mallorca (Es Jardí)
17.10 – Madrid (Movistar Arena)
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
We had the chance to catch up with Ohio-born, Brooklyn-based designer Kody Phillips in his Paris Fashion Week showroom where he unveiled his Spring/Summer 2026 collection.
Dean and Dan doubled down on their love of fashion’s most dramatic moments, remixing 80s power dressing, 90s grunge, and 2000s excess into something entirely their own.
Telekom Electronic Beats (TEB) and 032c are turning 25, and they’re celebrating with a capsule collection and an installation by Harry Nuriev. Titled All is Sound.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
