In this first episode of the seven-part film collaboration between award-winning director Gus Van Sant (Drugstore Cowboy, My Private Idaho, Elephant) and Gucci Creative Director Alessandro Michele, we follow the lead Silvia during her eccentric morning routine in Rome, which includes a scene in which, to the rhythm of a Billie Eilish song, she throws a dress from the balcony (from the first Gucci show by Alessandro Michele, from the Fall/Winter 2015 women’s line). Silvia is seen going through the mail, which includes some colorful Gucci show invitations, plus a mysterious brochure, and is then distracted by a television talk by writer and philosopher Paul B. Preciado until an unexpected visitor arrives. At the same time, in another room, a music group rehearses a song that Kim Gordon wrote for this miniseries.
The seven episodes will be released daily through the course of the festival as an exclusive broadcast on GucciFest.com, gradually revealing the collection day by day.
Ann Demeulemeester’s Pre-Spring 2026 collection is about listening. The designer steps back, not to dwell on the past, but to let the house’s own history speak, then moves forward without force.
Pitti Uomo’s 108th edition focused on daring fashion experimentation and creative exploration, showcasing inventiveness characterized by eclecticism in addition to a forward-thinking outlook of all things sartorial.
A$AP Rocky just redefined an icon. In collaboration with Ray-Ban, he’s transformed the classic Wayfarer into something entirely fresh, the Wayfarer Puffer.
The Polimoda Graduate Show 2025 kicked off Pitti Uomo’s 108th edition, presenting twenty collections from emerging designers that prioritized raw creativity over commercial appeal.
Pitti Uomo 108 in collaboration with Japan Fashion Week Organization takes us backstage at the first international runway show for Japanese brand Children of the Discordance.
On a sunny Paris day, we caught up with Damien for a little chat in a park, because talking poetry on a sunny day in Paris on a weekday feels more than right.
We talked with Ecstasya about her hiatus, the struggle of keeping Lisbon’s first queer hardcore night (Maythey) alive, and why the best tracks come from being “sad as fuck.”
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
