French-Guadeloupean producer GR-MINAL has released his debut single “Korrupt,” a poignant reflection on a society entrenched in vice, where the soul’s corruption by money has become the norm, overshadowing the reign of love, which can be tortuous at times. The single is accompanied by a music video directed by Ismaïl Alaoui Fdili.
GR-MINAL, a self-proclaimed geek, has made music software his playground. Immersed in music since childhood, he blends classical and ragga dancehall influences. His musical upbringing was rich, with a pianist and violinist mother, and two musician uncles—one a reggae artist, the other a jazz musician. At home, Daddy Mory, Lord Kossity, and the dub sounds of Lee Scratch Perry were constantly playing, embedding music deep into his veins.
Drawing from Caribbean sounds, GR-MINAL presents a contemporary, hypnotic, and languorous post-club music that intensifies with each track. His music creates a space where the temperature rises, leading to physical phenomena that listeners can fully experience: “Initially, I called my music ‘watt’ because it’s pure energy. It’s a music that is meant to be lived live.” GR-MINAL’s frenetic ragga dancehall offers an entry point to celebrate life and humanity in a chaotic world. With a flow reminiscent of Doc Gynéco, his dub music is tinged with trip-hop influences. For GR-MINAL, it’s all about joy and sensuality.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
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Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
