From its durable designs to what it stands for as a brand, Eastpak is Built to Resist. As it makes strides towards sustainability, Eastpak continues to create durable designs that stay strong and in style, with a limited warranty of up to 30 years. Eastpak’s limited warranty policy helps to extend the life of its bags and luggage, encouraging customers to ‘buy better and buy less’.
Eastpak bags and luggage designs are built to endure your active lifestyle and be with you for the long haul. Even with the most durable materials, things sometimes break so Eastpak will do its best to repair any damage, as part of its 30-year limited warranty on most products.
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Eastpak’s new RE-BUILT TO RESIST collection is a sustainable solution to reducing waste and preserving style. The recycled collection reworks pre-loved bags from Eastpak’s warranty center that are beyond repair, into one-of-a-kind designs. Each reinvention of Eastpak’s classic Padded Pak’r backpack and Springer bum bag features a 50/50 split of two different colorways or fabrics, making every bag unique.
We headed down to Geneva over the weekend for the HEAD Fashion Show, made up of 23 Bachelor and 8 Master graduate collections offering a fresh, diverse, and contemplative reading of what clothing can be today.
Over four intense days, 30 students from across Europe breathed strange, electric life into discarded garments — relics pulled back from the brink and reimagined with hands that refuse to waste. What emerged wasn’t just clothing, but a shared vocabulary: sustainability as a dialect, mending as a manifesto.
AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
In the digital age, a “personal brand” is often a carefully curated facade. But for Carlos Vasconcellos, it’s something far more authentic: a direct line to his soul.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
