DOMINNICO’s latest collection – Lucky – presented during 080 Barcelona Fashion, feels like a late-night drive through the American Southwest—windows down, desert wind mixing with the glow of Las Vegas signs in the distance. Creative director Domingo Rodríguez Lázaro takes the brand’s sharp tailoring and throws it into a world where cowboy grit meets after-hours glam.
This is fashion for the open road and the velvet rope. Think crop jackets paired with micro shorts, low-rise midi skirts, and bell-bottoms with lacing details—all cut from deadstock denim, recycled fur, and leather printed with snakeskin and cowhide effects. The palette leans into moody burgundy, earthy brown, and bursts of electric Klein blue, like neon cutting through desert dark.
But what ties it together are the little superstitions woven in: amulets and talismans dotting garments, playing off the collection’s “lucky” theme. It’s a subtle wink in pieces that otherwise embrace boldness—freedom coded into every stitch.
Since 2016, DOMINNICO has built a reputation for slow fashion that doesn’t sacrifice edge. Lucky Fall 2025 stays true to that balance: meticulous pattern work meets a rebellious spirit, sustainable fabrics share space with fantasy.
Check out below the backstage images shot by Ángela Ibañez during 080 Barcelona Fashion, in exclusive for Fucking Young!:
The imagery, shot by photographer Hugo Campan, captures the feeling of facing new light, the pulse of a swelling guitar, and encounters that leave a hazy imprint.
Dominic Albano has released the second volume of his Studio Archive Polaroids. This ongoing project exists alongside his fashion label as a separate but connected visual practice.
Soon, EXOTIKA will celebrate its one-year anniversary at Lisbon’s Lux Frágil. What began as a Thursday night residency has become a meaningful part of the city’s queer and cultural landscape.
Spanning more than fifty years of photography, from the late 1970s to today, the show revisits Parr’s work through the lens of global disorder, climate anxiety, and the strange habits we’ve normalized along the way.
TASCHEN books aren’t just books — they’re artifacts. From photography and avant-garde art to design, travel and pop culture, they look good on a shelf and reward repeated flipping.
We sent photographer Joonas S’Diri backstage during Paris Fashion Week Men’s last month. While capturing the action backstage, he handed his phone to the models and let them take selfies.
Under the artist name Scotty Ramon, Kid Cudi steps into a brand-new chapter with his very first solo exhibition, Echoes of the Past, presented with Ruttkowski;68 in Paris.
You have probably seen Giovanni on Instagram, in campaigns, or in magazines. Born and raised in Turin, Italy, skateboarding first shaped both his worldview and his path into fashion. Immersed in street culture from a young age,… »
Take a look at DAGGER’s Fall/Winter 2026 backstage, captured by the lens of Jennifer-Lynn Kremer during Berlin Fashion Week, in exclusive for Fucking Young!
The new track, “Ah Ya”, features longtime friend and creative partner Thee Diane, and together they deliver something that feels joyful, instinctive, and deeply alive.
Richert Beil’s Fall/Winter 2026 collection, LANDEl, is built on a conscious distance from fashion as spectacle and from systems that value only scale and speed.
We talk about Paris, fashion, heritage, and the subtle power of clothes in shaping character, as well as the importance of staying grounded while being part of a show so many people connect with.
DAGGER’s Fall/Winter 2026 collection, Play Hard, is a direct reflection on a specific place and time: growing up in Portrush, a working class seaside town in Northern Ireland.
Since its start nearly ten years ago, the brand has defined itself by a refusal to stay silent. This collection continues that stance, born from a desire to scream, grieve, and resist.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
