For Fall/Winter 2025-26, Dior under the creative direction of Mr.Kim Jones invited us into a sparse setting, simple and elegant made up of tiled concrete floors and white walls, a world away from the L’École Militaire just outside built under Louis XV by the architect Ange-Jacques Gabriel. Models strolled down a lit stairway, where front-rowers like Dior’s ambassador Quim Gutiérrez, Robert Pattinson, DJ Snake, among others, could get an almost aerial view of the collection before the clothes disappeared beneath the runway. The immediate advantage of the minimalist backdrop was that everyone’s attention was fixed on the clothing.
Kim Jones paid homage to Christian Dior’s Fall/Winter 1954 collection, H Line, which sought to give the appearance of a longer form, and served as the model for this season. Invoking that couture collection right away, Jones used sculptural shapes and exaggerated dimensions. Furthermore, this season abandoned any casualness in favor of discreet bows, blouses, and exposed collarbones while the palette was far more subdued and stark in terms of color alone compared to previous seasons, with the exception of a striking splash of baby pink and a few brown pieces.
Cream cardigans and tailcoats were designed to draw attention to the waist, and black suit pants were available in both tight and roomy styles. Key takeaways included monochrome and minimalism, but they were merely preparing the audience for the finale, which was the show-stopper: a knee-length baby pink kimono adorned with elaborate floral diamond patterning was fastened at the waist with a gigantic bow, of course. Looks like for fall, boys do bows better!
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Out of Australia’s sticky summer nights comes Full Flower Moon Band — a name that’s gone from whispered cult obsession to one of the country’s most ferocious live exports.
Troye Sivan celebrates 10th Anniversary of his planitun debut album with BLUE NEIGHBOURHOOD – Ten years on, set for release on February 13, 2026. Limited Edition features two additional tracks – “Swimming Pools” and “Strawberries & Cigarettes” – plus a reimagined cover art.
Titled “Generation Gucci”, the lookbook acts both as a nod to the archive and a projection of aesthetic continuity, layering historical codes to build a distinct vision for the house.
Salomon is marking the 20th anniversary of its ACS PRO trail sneaker with a special edition. The release honors the shoe’s past while focusing on its continued relevance.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
