In the middle of summer, the French Maison par excellence, Dior, has surprised all its followers and fans with its latest collaboration. We say surprise because to date the French fashion house has done little or no project like this one.
This joint project consists of the brand’s participation in the Gran Turismo 7 video game, available exclusively for the PlayStation 4 and 5 consoles, in which the creative director of the men’s part, Kim Jones, has designed ground-breaking Dior gear – “Skins” – and has customized a vintage car, the De Tomaso Mangusta, exalting the distinctive hallmarks of the house.
Oblique Dior motifs, the initials CD Diamond together with a “Christian Dior Atelier Montaigne” patch and other elements can be seen in Jones’ virtual creations.
Symbolically, moreover, the number 47 takes on a special prominence in this alliance, not because it appears on the silhouette of the driver and the racing car, but because it acts as a tribute to the year 1947, the date of Christian Dior’s first fashion show, which sealed the success of the new look and of the Maison.
The inaugural virtual capsule will be unveiled on 25 August at the heart of the game itself and will consist of a yellow and grey jumpsuit, matching gloves, reinterpreted Diorizon shoes and a blue and grey helmet.
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
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A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
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Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.