Wedgwood has joined forces with Alice Bastin, to embark on an extraordinary journey. Together, they have invited London-based fashion designer, Charles Jeffrey LOVERBOY, to lead their first-ever collaboration. Famous for his rebellious spirit and inclusive artistic vision, the designer has been granted the freedom to reimagine and revitalize Wedgwood’s artistic codes.
With his bold and unapologetic creative style, LOVERBOY has incorporated a deeply personal narrative and visual expression into Wedgwood’s new direction. Through the use of multimedia techniques, he has breathed new life into Wedgwood’s iconic ceramic pieces, infusing them with vibrant colors and abstract paint strokes. Each cherished Jasperware piece has been individually adorned in LOVERBOY’s distinctive graphic and illustrative style, creating a limited edition collection that challenges conventions and pushes boundaries.
For Charles Jeffrey, “collaborating with Wedgwood has been an incredible journey which allowed us to fuse music, art and craftsmanship into a bold and transformative experience. We not only had the opportunity to reimagine Wedgwood’s iconic jasperware but also to infuse it with our own distinctive creative voice. Upcycling pre loved Wedgwood jasperware became a medium for us to breathe new life into these cherished pieces, adding a unique touch and vibrant, expressive energy. Wedgwood’s trust and support in letting us unleash our creativity without limitations is something we deeply appreciate. This collaboration embodies the spirit of innovation and mutual collaboration, where boundaries are shattered and new narratives are crafted. We are grateful to Wedgwood for providing us with this platform to push the boundaries of art, music and design and create something truly extraordinary.”
The imagery, shot by photographer Hugo Campan, captures the feeling of facing new light, the pulse of a swelling guitar, and encounters that leave a hazy imprint.
Dominic Albano has released the second volume of his Studio Archive Polaroids. This ongoing project exists alongside his fashion label as a separate but connected visual practice.
Soon, EXOTIKA will celebrate its one-year anniversary at Lisbon’s Lux Frágil. What began as a Thursday night residency has become a meaningful part of the city’s queer and cultural landscape.
Spanning more than fifty years of photography, from the late 1970s to today, the show revisits Parr’s work through the lens of global disorder, climate anxiety, and the strange habits we’ve normalized along the way.
TASCHEN books aren’t just books — they’re artifacts. From photography and avant-garde art to design, travel and pop culture, they look good on a shelf and reward repeated flipping.
We sent photographer Joonas S’Diri backstage during Paris Fashion Week Men’s last month. While capturing the action backstage, he handed his phone to the models and let them take selfies.
Under the artist name Scotty Ramon, Kid Cudi steps into a brand-new chapter with his very first solo exhibition, Echoes of the Past, presented with Ruttkowski;68 in Paris.
You have probably seen Giovanni on Instagram, in campaigns, or in magazines. Born and raised in Turin, Italy, skateboarding first shaped both his worldview and his path into fashion. Immersed in street culture from a young age,… »
Take a look at DAGGER’s Fall/Winter 2026 backstage, captured by the lens of Jennifer-Lynn Kremer during Berlin Fashion Week, in exclusive for Fucking Young!
The new track, “Ah Ya”, features longtime friend and creative partner Thee Diane, and together they deliver something that feels joyful, instinctive, and deeply alive.
Richert Beil’s Fall/Winter 2026 collection, LANDEl, is built on a conscious distance from fashion as spectacle and from systems that value only scale and speed.
We talk about Paris, fashion, heritage, and the subtle power of clothes in shaping character, as well as the importance of staying grounded while being part of a show so many people connect with.
DAGGER’s Fall/Winter 2026 collection, Play Hard, is a direct reflection on a specific place and time: growing up in Portrush, a working class seaside town in Northern Ireland.
Since its start nearly ten years ago, the brand has defined itself by a refusal to stay silent. This collection continues that stance, born from a desire to scream, grieve, and resist.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
