Releasing an electronic album while clubs are closed due to this worldwide pandemic may be frustrating for an artist. Despite this weird situation, English musician and record producer Samuel George Lewis mainly known as SG Lewis decided to drop his highly anticipated first record “times”. This project includes collabs with some amazing artists like Channel Tres and Robyn as well as the legendary Niles Rodgers. Following this release, here our conversation with Lewis.
Releasing an album when you can’t promote it properly due to a worldwide pandemic can be a form of frustration for you? Especially when all clubs are closed right now.
I haven’t released a full-length album before, so I have nothing to compare it to. It’s true that I would love to be able to play the music live and in clubs for people and to feel that connection, but the messages I receive from people every day has made the process worth it.
Your album is called “times”, and it was evident making this record during this current weird time?
‘times’ is a study of time as a finite concept. The things we assume will always be there tomorrow, are in fact not guaranteed forever. If anything the pandemic reinforced this sentiment.
There’s a lot of ’80s disco references in this album. Do you think it’s a revival disco era in pop music?
To be honest the ’70s were a bigger influence for me personally – The birth of disco in New York, and clubs like The Loft and Paradise Garage. The inclusivity of these safe spaces was a massive influence on me. I think disco is resonating right now because it provides joy and escapism musically.
Working with legendary Niles Rodgers was a dream I guess. How was it to work with such a man?
It’s very surreal, and a dream come true. He has been such a huge influence on everything I do as a musician, so it’s very full circle to have him on the record.
There are so many collaborations and guests on this album like Robyn, Frances as well as Channel Tres. What was the process of you having these amazing people on board?
The only criteria for collaboration are whether I am a fan of someone’s music. I listen to a lot of music and am lucky that I am now in a position where a lot of doors are open, and there is an opportunity to collaborate with some amazing people.
You produced as well for other artists, what is your dream collaboration?
I have so so many. I would love to do a track with Bon Iver though. Justin Vernon is one of the greatest of our generation.
Recently, French electronic and Daft Punk announced their break-up. Did their music or the way they promoted it influenced yours?
Musically Daft Punk is a massive influence. I think that is true of so many electronic musicians. Their legacy is perfect and will last forever. The way they capture the soul in their music is something I aspire to.
What will be the opening track of your next set when clubs will be opened after this pandemic?
Oooooooh. I’m gonna say something beautiful like Lovebirds – Want You In My Soul. The intro would have me in tears.
And what is your guilty pleasure favorite track?
I believe there is no such thing as guilty pleasures. If you like something, there should be no guilt! Just love music.
This season confirms SHOOP’s design approach. It draws from the everyday and reinterprets it through a poetic, modern lens, creating a language that joins the functional with the emotional.
Drowning in all the new music releases? We’ve got you covered. Dive into our handpicked selection of this week’s standout tracks, from rising stars to iconic artists. Your perfect weekly soundtrack starts here!
The campaign, shot in the heart of Notting Hill, is a modern interpretation of Britishness, seen through the lens of Paul’s own curious spirit and his love for collecting the unexpected.
Carhartt WIP’s Fall 2025 campaign feels like a quiet shift. It’s not about grand statements or dramatic scenes. Instead, it turns its attention to the spaces in between: the small, ordinary moments that make up a day.
The Irrepressibles return with Yo Homo Deluxe, an expansion that digs deeper into the emotional scope, punk edge, and eroticism of their fourth studio album.
Japanese designer Soshi Otsuki, the creative force behind Soshiotsuki, scooped up the LVMH Prize 2025, one of the industry’s most powerful springboards for fresh talent.
The debut collection, Season One: At First Light, was unveiled among friends, fam, and fans at the Hotel Pozzo di Borgo, a historic residence Karl Lagerfeld lived at, just before one of his sold-out concerts in the Paris.
The NRW-Forum Düsseldorf is opening a direct conversation. Its exhibition, SEX NOW, invites visitors to explore the complex role sex plays in our lives.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.