adidas Originals rescata una de sus siluetas icónicas, la Gazelle y las relanza con una colaboración con el artista Doug Abraham, más conocido como @bessnyc4 y una foto de Kate Moss cuando su rostro aún era el de una teenager. Recuperando una fotografía icónica de 1993 en la que Moss aparece con unas Gazelle, Abraham abarca un nuevo medio creativo de reapropiación de la moda y la memoria colectiva de las imágenes de la cultura popular, reinventando un nuevo concepto visual.
Abraham y su nueva obra narrativa traen de nuevo la Gazelle para crear un futuro.
“La memoria colectiva nos proporciona inspiración para crear nuestro futuro”, explica Nic Galway, vicepresidente de Diseño Global de adidas Originals. “Con el relanzamiento de Gazelle miramos a las referencias culturales originales que definen la autenticidad del estilo. Kate Moss siempre ha tenido una conexión con la marca y con la Gazelle, desde los años 90. Un testimonio de cómo la silueta se ha adaptado al estilo y la cultura del pop”, añade.
Presentada por primera vez en la década de 1960, el legado de Gazelle ha estado presente en todos los estilos culturales. Uno de los referentes más emblemáticos de esta silueta es la fotografía de 1993 de Kate Moss, en la que está inspirada esta nueva campaña, y una imagen que capta perfectamente la esencia de Gazelle.
“Gazelle era la zapatilla que todos usábamos en la década de los 90, tiene un estilo totalmente atemporal. Yo siempre he sido una chica adidas”, explica Kate Moss.
There’s something raw and electric in Last Exit on Bethnal, the new collaborative project between London producer/DJ Hannah Holland and filmmaker/photographer Lydia Garnett.
The Phantom of the Opera has chosen his designer. Nicola Formichetti has been appointed Director of Masks for Masquerade, the new immersive Phantom experience coming to New York.
Kwir Nou Éxist project, a photo installation conceived by model, actress and activist Raya Martigny and her partner Edouard Richard, is now on view until July 25 in the iconic Tuileries Garden in Paris.
The wait and speculation are over. Almost a month after Francesco Risso’s departure, Marni now has a new Creative Director: Belgian designer Meryll Rogge.
Spanish-Nigerian designer Wekaforé Jibril has made history with the opening of his first standalone boutique in Barcelona, becoming the first Black designer to establish a flagship store in Spain.
“It’s an honour to work with Burberry,” Wu said. “The brand’s dedication to its heritage and innovation results in pieces that never fail to amaze. I look forward to discovering what we’ll create together.”
C2H4® is slowing down. Instead of chasing seasons, their R011 Collection is built to last: one carefully crafted lineup per year, designed to stay relevant long after the trends fade.
HAIKURE’s SS26 collection, Come As You Are, is for people who want to feel good without the effort, who wear clothes that fit their lives, not the other way around.
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
