Anouz, a Seoul-based brand, has launched its new collection inspired by the 80s cult classic movie “Withnail and I”. The movie follows the misadventures of two struggling actors, Withnail and Marwood, who escape from their dismal life in north London to spend a holiday at their eccentric Uncle Monty’s cottage in the countryside. There, they encounter various challenges and culture shocks that test their friendship and their sense of self.
The movie is a comedy that mixes absurd humor with witty dialogue and visual gags. The main characters are portrayed as irresponsible and immature, but also as dreamers who try to find their own way in the world. The movie also satirizes many aspects of modern society, such as consumerism, classism, and urban alienation. It uses a vivid and colorful style to create a contrast between the grotesque and the nostalgic, and to highlight the gap between reality and fantasy.
Anouz’s collection aims to capture the essence of the movie and its characters and to explore the idea of language as a metaphor for social phenomena. The collection features items that reflect the style and personality of Withnail and Marwood, such as coats, sweaters, shirts, pants, and accessories. The collection also uses patterns, prints, and colors that evoke the mood and the setting of the movie, such as plaid, floral, and earth tones. It is designed to appeal to those who appreciate the movie’s humor and message, and who want to express their individuality and creativity.
The 17th FASHIONCLASH Festival filled three November days in Maastricht with performances, films, workshops and shows made by students, activists and designers from over 25 countries.
With over two decades of dedicated experience in the fashion industry, Andrea Moore has forged a distinctive path, blending vibrant colors and innovative materials into gender-neutral designs that resonate with today’s diverse audience.
Saint Laurent Rive Droite has introduced its first Advent calendar. The project is a unique vinyl box set curated by Creative Director Anthony Vaccarello.
We headed down to Geneva over the weekend for the HEAD Fashion Show, made up of 23 Bachelor and 8 Master graduate collections offering a fresh, diverse, and contemplative reading of what clothing can be today.
Over four intense days, 30 students from across Europe breathed strange, electric life into discarded garments — relics pulled back from the brink and reimagined with hands that refuse to waste. What emerged wasn’t just clothing, but a shared vocabulary: sustainability as a dialect, mending as a manifesto.
AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
