“Close to Positano, there are age-old myths of mermaids and underwater garden worlds. These fables from Southern Italy have influenced my imagination over the years — the Neapolitan sea is, no doubt, a place of endless inspiration. With this collection, I’m letting you dive into the dream with me—and splicing it with a high fashion fantasy,” says Giuliano Calza, Creative Director of GCDS.
As Calza’s fashion journey continues to evolve, the designer has found himself on a proverbial island in the sun, shining with surreal brilliance far beyond the horizon. In this paradise, there’s an element of escapism, and the freedom one might find in getting away from the turmoil of the past eighteen months. Throughout this nautical frontier, Calza’s favorite fashion fixations have become the stylings of a water-world fairytale. They revel in both relaxation and hedonism; they’re a prologue to a bright new future.
To present Spring/Summer 2022—the first collection shown since GCDS sold a majority stake position to the Made in Italy Fund—Calza conceived and directed a short fantasy film. After the success of the Fall/Winter 2021 digital catwalk (which amounted over 1.5 million views), this season marks step two in demonstrating Calza’s fantastical imagination. The film tracks the collection through the oft unusual monotony of day-to-day life, extending across a barren desert. It concludes, however, with the discovery of a new paradise. Against an imaginative aquarium, a symbol of this brave and bright new future, anthropomorphic crossover is possible and mythic beauty suddenly becomes real.
When it comes to creativity, I begin everything from a place of deep resonance,” says Calza. “I take these cues and emotions and power them by seeing optimism and brightness at the end of the tunnel. Living life is all about growth and getting through the tough parts, so, this collection and this film are a representation of that. Of hitting a point of liberty and ecstasy.”
Pull&Bear’s latest capsule collection draws inspiration from Henri Matisse, transforming his playful shapes and vivid colors into summer-ready clothes and accessories.
For the first time, the work of more than 60 artists who have lived and created at the TOM House will come together in FXLK PLAY: Mythmaking, Devotion, and Mischief, an exhibition opening September 12, 2025, at Long Hall in West Hollywood’s Plummer Park.
There’s something raw and electric in Last Exit on Bethnal, the new collaborative project between London producer/DJ Hannah Holland and filmmaker/photographer Lydia Garnett.
The Phantom of the Opera has chosen his designer. Nicola Formichetti has been appointed Director of Masks for Masquerade, the new immersive Phantom experience coming to New York.
Kwir Nou Éxist project, a photo installation conceived by model, actress and activist Raya Martigny and her partner Edouard Richard, is now on view until July 25 in the iconic Tuileries Garden in Paris.
The wait and speculation are over. Almost a month after Francesco Risso’s departure, Marni now has a new Creative Director: Belgian designer Meryll Rogge.
Spanish-Nigerian designer Wekaforé Jibril has made history with the opening of his first standalone boutique in Barcelona, becoming the first Black designer to establish a flagship store in Spain.
“It’s an honour to work with Burberry,” Wu said. “The brand’s dedication to its heritage and innovation results in pieces that never fail to amaze. I look forward to discovering what we’ll create together.”
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
