Heliot Emil Fall/Winter 2020
by Anna Barr
















Since their SS17 debut, we have seen the HELIOT EMIL™ collection on their home turf in Copenhagen. For Fall Winter 20/21 we were sent a link to click on for 1pm on Friday during Paris Fashion Week. While it’s not out of place for many designers to live stream in front of an audience, everyone was sent their RSVP a week before. I just assumed that this was to lower the environmental impact, and the timing couldn’t have seen the looming impact that the coronavirus has had all week. However, I didn’t expect the experience. The experience of no long lines, influencers getting photographed, the removal of front rows and overall fashion show politics. Some people have pointed out that they need this physical, person to person experience that we share during the fashion week. But the truth is, with so much moving around, everyone seems to be looking at their phones anyway.
Once logged in, I was invited to experience the universe of HELIOT EMIL™ with their collection titled ‘AMORPHOUS SOLID’. At first, the experience was one of isolation and claustrophobia before I got the hang of the 360-degree view. I saw more of the garments, accessories and especially shoes than any traditional runway show (and most live streams are still from a distance). In a world where we all shoot the same videos and get the same angles on the runway, the virtual experience here was definitely a more bespoke one under my control. The “view morphing” technique of the camera runs into the collection made up of morphing forms of the garments, the relation of form and function combined with the technicality of the fabrics.
Shape vs material is something that the brand explores with pieces that can be reshaped or reconstructed to personalize the look. An exciting fabric was the liquid metal fabric that changes our perception of light. While brothers Julius and Victor Juuls who founded the brand haven’t dramatically changed their aesthetic this season or are chasing the latest trends, their quality and craftsmanship has gone up and looks like they will continue to explore the possibilities and roles of technology. I’m curious to see if they will take a direction to more fabric innovation and protection as we face strange days ahead.
3 LVMH Prize Nominated Menswear Designers You Need To Know
Nanushka Fall/Winter 2020
Louis Gabriel Nouchi’s Spring/Summer 2026 collection asks a question: Do androids dream of wet desires?
Willy Chavarria’s Spring/Summer 2026 runway show was a protest, a love letter, and a reclamation of dignity.
Take a look at Kenzo’s Spring/Summer 2026 backstage, captured by the lens of Thomas Lizzi during Paris Fashion Week, in exclusive for Fucking Young!
Take a look at LAZOSCHMIDL’s Spring/Summer 2026 presentation, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
From strippers to cake and condoms as souvenirs, the Carne Bollente party during Paris Fashion Week was the place to dance the night away.
Staged at the legendary club Maxim’s in Paris, NIGO takes us out clubbing with his collection for Kenzo.
JEANNE FRIOT presented her Spring/Summer 2026 collection, Resistance, during Paris Fashion Week, and left no room for metaphor.
JUUN.J’s Spring/Summer 2026 collection, “BOY-ISH,” turns fashion’s happy accidents into something intentional.
For White Mountaineering’s SS26 collection, designer Yosuke Aizawa looks back to the 1970s, when gear like Kelty’s aluminum frame packs and early Gore-Tex jackets redefined what clothing could endure.
A$AP Rocky took over Paris’ L’Eglise Protestante Unie de l’Etoile to prove one thing: what starts as a uniform, a necessity, or even something dismissed as “ghetto” can become the blueprint for luxury.
These are clothes designed for daily life, but with the same philosophical undercurrent: beauty that doesn’t conform, but adapts.
LAZOSCHMIDL’s Spring/Summer 2026 collection, Rendezvous, is a love story told through clothes
Take a look at Drôle de Monsieur’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
PUMA is bringing back the early 2000s track spirit with its reimagined H-Street sneaker.
Take a look at SYSTEM’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
Dior has always been a cultural language. For Summer 2026, Creative Director Jonathan Anderson plays with that lexicon, stretching its history into new shapes.
Take a look at CAMPERLAB’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
For Spring/Summer 2026, Ouest Paris dives deeper into its love affair with workwear, this time pulling inspiration from an unexpected place: NASA’s 1960s office culture.
GR10K’s Spring/Summer 2026 collection, Cramp’d, doesn’t just reflect modern saturation but leans into it.
Junya Watanabe Man doesn’t chase trends but circles back to them, turning the past into something quietly surprising.
The names roll off the tongue like a trumpet’s lazy riff: Vedado. Miramar. Malecón. Three corners of Havana, three moods, three stages for Drôle de Monsieur’s Summer 2026 collection.
Ryota Iwai, Founder and Creative Director of AURALEE, presented his Spring/Summer 2026 collection during Paris Fashion Week.
IM MEN presented its Spring/Summer 2026 collection, inspired by the legacy of ceramist Shoji Kamoda, during Paris Fashion Week.
With sophistication, straps, and sleaze, Rick Owens presented his collection “Temple” at the Palais de Tokyo.
Jonathan Anderson, Creative Director of the House, is preparing to present his first collection by Dior in one of the most emblematic places in Paris.
The collection speaks to those who know the weight of repetition but still hold space for possibility.
Take a look at BLUEMARBLE’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
The Spring/Summer 2026 collection isn’t about trends or rules; it’s about movement, play, and the simple thrill of existing without apology.
The collection takes military and workwear staples (timeless, functional) and washes them in something more fluid.