George Turner releases his new single Lost at Home – the first single off the artist’s debut album, set to be released later this year.
‘Lost at Home’ is a grimy, synth pop and Bjork inspired track. The song is an argument against the residual ideas that stop parts of society from changing in the contemporary world. Lines like ‘It’s like a headpiece, so we wear it, hedonism is our crown’ poke fun at modern living and with a chorus that cries ‘I guess we’ve lived long enough’ it is pretty clear George’s intention with the track.
George’s visual art is a very important aspect of their music. George wrote, directed and edited the video for ‘lost at home’. Set in a sci-fi and surrealist-inspired landscape. The video depicts a story fitting of the lyrics to ‘Lost at Home’ without making too bold of a statement. Instead using subtle symbols such as farmland, water, cellphones, and vapes to convey the message.
Troye Sivan celebrates 10th Anniversary of his planitun debut album with BLUE NEIGHBOURHOOD – Ten years on, set for release on February 13, 2026. Limited Edition features two additional tracks – “Swimming Pools” and “Strawberries & Cigarettes” – plus a reimagined cover art.
Titled “Generation Gucci”, the lookbook acts both as a nod to the archive and a projection of aesthetic continuity, layering historical codes to build a distinct vision for the house.
Salomon is marking the 20th anniversary of its ACS PRO trail sneaker with a special edition. The release honors the shoe’s past while focusing on its continued relevance.
UNWRAPPED 2025 marks Grindr’s fifth annual global snapshot of queer culture, powered by insights from more than 15 million monthly users and 32,000 community votes.
Patta and Joe Freshgoods have reunited for a new collaboration titled “PattaGoods.” This is their first capsule collection, uniting two independent, Black-owned brands.
The Amsterdam-based brand Daily Paper has partnered with the Municipality of Amsterdam and adidas to celebrate the reopening of a local landmark: the street football court known as the “Adidasplein”.
The work of Slovak artist Andrej Dúbravský presents a world of bees, caterpillars, flowers, and naked boys who return the viewer’s gaze with confidence.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
