What’s new about the hysteric girl rolling her body in the church floor while mimicking to her latest single? Nothing. It’s probably a new face and certainly her clothes have been updated. Still, it’s that same archetype woman, or gay man, that needs to have a Madonna moment crying out loud how bad she’s possessed by a male. Histrionic females (I’m including myself in the lead) are doomed. Doomed to be rejected precisely by the man they wanted to be loved by. We’ve came to accept this as a dominant and unsolvable criteria of the universe. No matter whom that guy might be: if you’re madly possessed, he will madly ditch you. Accept it. Take a pill; and have yourself a Florence/Madonna moment in front of your bathroom mirror, at least, twice a day. The psychology that feeds this process is simple: feeling the latent and eminent rejection that the male object is covering, a histrionic woman, will take it as a challenge and determines unconsciously to commit her whole self into buying those extra 60% of male love lacking from the relationship since the very beginning. Seems wicked? No. It’s just girlish. Girls will only desire what they feel it’s unavailable; and when it comes to men, the less available they are, the more obsessed they’ll be. Think shoes. Have you ever come across to a shoe fight at a Zara store? No. But you’ve certainly seen females being backstabbed over some vintage Chanel flats lost in the flea market racket of some Pakistani guy. Yes. They might cost the same, and probably both will make an impact (at least male wise concerned impact): but truth is, women will love the very object that says: unavailable, crime scene, or war zone. It’s the curse of beauty: to forever miss what you couldn’t have, and easily dismiss what you already have. End.
After showing off-calendar for two seasons in a presentation format, the 2023 LVMH Prize-nominated designer Kartik Kumra is now the first Indian designer to be on the official menswear calendar.
SANKUANZ’s Spring/Summer 2026 collection finds its heartbeat in Tara, the Tibetan Buddhist goddess who exists between two worlds, both enlightened and earthly.
For SS26, Hung La’s LỰU ĐẠN closes its trilogy “MAYHEM,” “YOU DON’T BELONG HERE,” and now “NO MAN’S LAND”, with a collection that stares straight at the people society ignores.
Marine Serre‘s Spring/Summer 2026 collection is about the quiet revolution happening in every stitch. Titled THE SOURCE, this is clothing that moves with purpose, crafted by hands that treat savoir-faire not as a relic, but as rebellion.
C.R.E.O.L.E.’s DOM TOP FEVER collection is a reckoning. It digs into displacement, memory, and the act of reclaiming stories that have been buried or distorted.
Entitled ‘The Boy Who Jumped the Moon’, this latest KidSuper collection explored key notions of naïveté, innocence and dreams, which are some of the defining characteristics of any childhood.
Take a look at LAZOSCHMIDL’s Spring/Summer 2026 presentation, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
For White Mountaineering’s SS26 collection, designer Yosuke Aizawa looks back to the 1970s, when gear like Kelty’s aluminum frame packs and early Gore-Tex jackets redefined what clothing could endure.
A$AP Rocky took over Paris’ L’Eglise Protestante Unie de l’Etoile to prove one thing: what starts as a uniform, a necessity, or even something dismissed as “ghetto” can become the blueprint for luxury.
Take a look at Drôle de Monsieur’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
Dior has always been a cultural language. For Summer 2026, Creative Director Jonathan Anderson plays with that lexicon, stretching its history into new shapes.
Take a look at CAMPERLAB’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.