A slithering snake traces languidly its way on the grass of a garden that seems more an illusive place than a real landscape – the Garden of Ninfa near Rome- populated by an animal omnium-gatherum. Alessandro Michele has accustomed us to his dreamy vision and take on Gucci – halfway a psychotic entrancement induced by MDMA and a pre-raphaelite awesomeness- but, with the Italian-Canadian photographer and director Floria Sigismondi as partner in crime, the result is of unparalleled sophistication. The film captures the gist of the 2017 Cruise Collection thrown at Westminster Abbey last June. Gucci’s sinners float in an Eden of precious silks, exquisite embroideries, elaborate knitting, ruffles and GG supreme canvas.
AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
In the digital age, a “personal brand” is often a carefully curated facade. But for Carlos Vasconcellos, it’s something far more authentic: a direct line to his soul.
TATRAS presents a new project titled “Layers of Japanese Craft.” It is a limited-edition capsule collection created with the traditional lacquer artisans of Wajima city.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.