A slithering snake traces languidly its way on the grass of a garden that seems more an illusive place than a real landscape – the Garden of Ninfa near Rome- populated by an animal omnium-gatherum. Alessandro Michele has accustomed us to his dreamy vision and take on Gucci – halfway a psychotic entrancement induced by MDMA and a pre-raphaelite awesomeness- but, with the Italian-Canadian photographer and director Floria Sigismondi as partner in crime, the result is of unparalleled sophistication. The film captures the gist of the 2017 Cruise Collection thrown at Westminster Abbey last June. Gucci’s sinners float in an Eden of precious silks, exquisite embroideries, elaborate knitting, ruffles and GG supreme canvas.
For Spring/Summer 2026, Palomo returned to Madrid. The setting was The Palace Hotel, an intimate presentation that marked a homecoming after several seasons in New York.
Gucci introduces a new sneaker, the Gucci Shift, designed for motion. It translates the House’s athletic history into a form made for the rhythm of now.
Take a look at Campillo’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during New York Fashion Week, in exclusive for Fucking Young!
The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.