John Smedley SS18 Backstage!
by Melissa Eakin










Take a look at John Smedley SS18 Backstage photographed by Antonio Eugenio during London Fashion Week Men’s, in exclusive for Fucking Young!
With a reputation that even the Queen acknowledges as imperative to British fashion, John Smedley delivered to us yet another season of sharply crafted knits, attesting to the countless ways of reinventing knitwear. This season, Smedley showcased their collection on a sunny day on Jermyn Street, St. James, with a backdrop of enlarged Japanese hand-printed waves, and beach-vibe tracks all hinting at the disposition of the collection. Koi print woven silks were introduced and teamed with the cobalt blue, moss green, and coral knits crafted in such a way to function as tailored suits, waistcoats, and shirts. It was a balance of holiday ease and renowned British tailoring that exhibited the theme of “precision/fluidity.”
Knitted trousers in cobalt blue had waves printed along the legs dipping into the cuffs of suit jackets, as if models stepped into the zen sea of this season. The corals, various blues and pearls only further added to the fluidity of the season, referencing the harmony of aquamarine life. Collars had contrasting colours of yellow and red and the repetitive wave pattern on knits varied by exaggerated sizes on some polos, or tiny waves on trousers. With the exception of one silk Hawaiian style shirt, all tops and jumpers were styled tucked into the waistband, keeping some of our British conservatism in place.
Smedley stayed true to their heritage, taking reference from their past 200 years in the business. The koi fish painted across bodies exemplifies this as it was sourced from the archive of one of the earliest Smedley member’s, John Smedley II in the 1930’s following his first trip to Japan. Models were styled in a minimalistic manner and every look had been carefully edited to complete the sense of the season.
Topman SS18 Backstage!
Art School Spring/Summer 2018
The message is an invitation. It’s a call to “cum” together, to join what they playfully term the “Carne Cummunity.”
SOLID HOMME applies its own clean, specific point of view to the iconic MA-1 flight jacket from Alpha Industries.
Balenciaga just unveiled a collection of ten fragrances. This launch moves beyond traditional perfumery, built instead on fusion and tension.
Dior has unveiled a new bag for the Winter 2025-2026 collection: the Dior Slider hobo.
A store should feel like it belongs. That’s the idea behind the newly reopened Camper flagship on Madrid’s Calle de Serrano.
Desigual introduced its new premium line, Desigual Studio, with a fashion show in Barcelona last night.
We caught up with Parcels in Paris to learn more about their new album.
The brand’s latest collection draws directly from its functional roots, reinterpreting the classic workwear that built its name for a modern audience.
The 36th edition of 080 Barcelona Fashion has announced its schedule, bringing together 24 designers and brands to present their new collections.
93 Sierra/Crosses has released its Fall/Winter 2025 collection, and it continues to build on the brand’s strong identity.
For its second year as Correspondent Designer, Les Benjamins closed Dubai Fashion Week with a new chapter titled “El Gringo”.
Oakley has unveiled its latest project with global football icon Kylian Mbappé, and it centers on a cool idea: artifacts from the future.
Y-3 returns with a campaign for its Fall/Winter 2025 collection, and it chooses a distinct voice to tell its story.
This has been a long-awaited offering for those who cherish the brand’s signature scents.
The fashion house Ami Paris has announced a new partnership, naming actor and singer Zhou Yiran as its Global Ambassador.
James Edward photographed by Jess Segal and styled by Heloise Chauvenhei, with creative direction by Charlotte Carter, in exclusive for Fucking Young! Online.
LUMA Arles presents one of David Armstrong’s most ambitious posthumous exhibitions, drawn entirely from his estate.
Juwon photographed by Szymon Stępniak and styled by Helga Dubrovska, in exclusive for Fucking Young! Online.
PUMA’s Talon sneaker, first launched in 2004, is a relic from a specific time. It’s a shoe pulled from the archive, but its new collaboration with NO/FAITH Studios is about more than just nostalgia.
Rier unveiled its Winter 2025 campaign captured by the lens of Alessandro Furchino Capria and art-directed by Jérôme André.
Beyond Retro’s Fall/Winter 2025 collection, “Corporate Country Club,” is built on this idea of seasonal shift.
Gant’s Fall/Winter 2025 campaign finds its home in a familiar place: the worn-in booths and historic walls of a classic New York City restaurant.
For the Ann Demeulemeester Fall/Winter 2025 collection, creative director Stefano Gallici takes a visual journey.
MR PORTER introduces its Fall/Winter 2025 campaign with a clear focus: timeless pieces for the season ahead.
Mode Suisse proved itself, once again, to be a vital platform for Switzerland’s diverse and inspirational fashion community.
This season confirms SHOOP’s design approach. It draws from the everyday and reinterprets it through a poetic, modern lens, creating a language that joins the functional with the emotional.
Drowning in all the new music releases? We’ve got you covered. Dive into our handpicked selection of this week’s standout tracks, from rising stars to iconic artists. Your perfect weekly soundtrack starts here!
The brand’s latest collection draws inspiration from a specific place and moment: the ‘UraHara’ movement of 1990s Tokyo.
Salomon ADVANCED exists in both the past and the future. It is a concept built on history, shaped by decades of trial and discovery.
The campaign, shot in the heart of Notting Hill, is a modern interpretation of Britishness, seen through the lens of Paul’s own curious spirit and his love for collecting the unexpected.