Through nine seasons in the NBA, and many more formative years in Palmdale, California, Paul George has secured his status as a veteran star. So, it might be strange to imagine George struggling at the bottom – of a filled pool, dumbbells in hand, checking his quickening pulse as he steps further into the deep end.
“As I see myself getting older in this league, the question I ask myself is, ‘How can I become a more efficient athlete?’ I need to perform at the elite level I know I’ve reached, but without wasting excess energy,” says George. “At the end of last season, I knew I had to better control my breathing while I play, so I added underwater walks into my offseason training.”
Beginning with the PG1, evolving into the PG2 and even branching off into the PG 2.5, George’s signature line is, in many ways, a story of that progressive self-awareness and commitment to improvement. The series tells of a refinement that has led to a seasoned sensibility for George, a confidence in who he is and where he’s going as a player.
Here are three veteran principles that PG and Nike Basketball Footwear Designer Tony Hardman followed in creating George’s footwear: Shed What Is Unnecessary, Make Every Step Matter, Remember Where You Came From.
The limited-edition Nike PG3 NASA colorway is available January 26.
We headed down to Geneva over the weekend for the HEAD Fashion Show, made up of 23 Bachelor and 8 Master graduate collections offering a fresh, diverse, and contemplative reading of what clothing can be today.
Over four intense days, 30 students from across Europe breathed strange, electric life into discarded garments — relics pulled back from the brink and reimagined with hands that refuse to waste. What emerged wasn’t just clothing, but a shared vocabulary: sustainability as a dialect, mending as a manifesto.
AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
In the digital age, a “personal brand” is often a carefully curated facade. But for Carlos Vasconcellos, it’s something far more authentic: a direct line to his soul.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
