Gus Dapperton announced the release of his long-awaited second album, Orca, out this September 18th. The new album explores human pain and suffering, but also healing and redemption. Orca was written and produced by Dapperton, with Spike Stent (Frank Ocean, Lady Gaga, Beyonce) mixing the album. Check out the new single below, along with the album tracklisting, and read our interview.
Your track “First Aid” addresses your struggle with depression, how do you feel now, and what advice you would give to young people facing the illness?
I feel better now. The album is also supposed to exhibit the forces in my life pulling me out of that struggle. Find the one person in your life that loves you unconditionally and don’t let them go. Although not everyone is fortunate enough to possess that.
Do you see music as self-therapy in a way, a strategy to exorcise your demons? Yes definitely. Personally, It’s sort of the only successful form of therapy I’ve experienced. Music is a way of cataloging those demons and locking them away in a physical form where they can no longer hide.
Heartbreak is straight to the point kind of pain. When you mention that your upcoming album is about internal pain and suffering, do you see them as philosophical and existential? What themes give you most struggle when you reflect on them? I guess the difference between writing about heartbreak and these emotions is that there is nothing, in particular, causing these emotions for me. Its a just a dark hole that u can fall into for no reason at all. Definitely these themes of feeling hopeless and lost in the world are the hardest to reflect on for me.
Your sister Amadelle collaborated on the track “First Aid” is this the first time you work together? Emotionally and artistically what are the peculiarities of writing music with your sibling? No, we work with each other constantly behind the scenes. She also plays keyboards in my band. I produce a lot of music for her and she’s just a great musical advisor. We definitely have the same taste being that we grew up on the same music. And she’s been there for me my whole life so working with her just makes every song and all of its content even more personal.
Which role did isolation play in your creative process? I don’t really see it as playing a positive or negative role. I never force myself to be creative in times that are completely uninspiring. When it comes it comes and when it goes it goes. But I’ve been able to work on other projects at this time that arent specifically for me and my music.
You just released a new single ‘Post Humorous’ from your upcoming album ‘Orca’ what shall we expect and why you opted to name it after the mammal? It’s a metaphor that expresses we are all animals in cages. I think orca whales are the most notable in that respect. If you liked the singles I think you will really enjoy the rest of the album <3
Watch Post-Humorous below:
Orca tracklisting:
Bottle Opener
First Aid
Post Humorous
Bluebird
Palms
My Say So (feat. Chela)
Grim
Antidote
Medicine
Swan Song
VIKTORANISIMOV chose an unlikely stage for its first Berlin Fashion Week presentation: a former telecommunications bunker, now The Feuerle Collection museum.
After the show, designer Feng Chen Wang caught up with us, to open up about the emotion behind this collection, and the brand’s evolving identity – accompanied by backstage moments captured by Leiya Wang.
Take a look at DOUBLET’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Take a look at KIDSUPER’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
For Camiel Fortgens’ SS26, models walked the actual streets of Paris during Fashion Week, portable speakers in hand, each playing a fragment of the show’s soundtrack.
Created with artist Samuel de Sabóia, the lineup weaves together regeneration, spirituality, and a question: What does the future of fashion look like?
For their SS26 show, the adidas and Yohji Yamamoto collaboration traded the standard runway for something more visceral: a four-act performance directed by choreographer Kiani Del Valle.
After showing off-calendar for two seasons in a presentation format, the 2023 LVMH Prize-nominated designer Kartik Kumra is now the first Indian designer to be on the official menswear calendar.
SANKUANZ’s Spring/Summer 2026 collection finds its heartbeat in Tara, the Tibetan Buddhist goddess who exists between two worlds, both enlightened and earthly.
For SS26, Hung La’s LỰU ĐẠN closes its trilogy “MAYHEM,” “YOU DON’T BELONG HERE,” and now “NO MAN’S LAND”, with a collection that stares straight at the people society ignores.
Marine Serre‘s Spring/Summer 2026 collection is about the quiet revolution happening in every stitch. Titled THE SOURCE, this is clothing that moves with purpose, crafted by hands that treat savoir-faire not as a relic, but as rebellion.
C.R.E.O.L.E.’s DOM TOP FEVER collection is a reckoning. It digs into displacement, memory, and the act of reclaiming stories that have been buried or distorted.
Entitled ‘The Boy Who Jumped the Moon’, this latest KidSuper collection explored key notions of naïveté, innocence and dreams, which are some of the defining characteristics of any childhood.
Take a look at LAZOSCHMIDL’s Spring/Summer 2026 presentation, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.