During an errand to the post office, Silvia’s day continues to move in unforeseen directions. As she listens distractedly to the conversations of the customers waiting in line (curiously well dressed), she puts all her interest in an elegant gentleman (the venerable Italian art critic Achille Bonito Oliva) who is immersed in a curious phone call with another character ( singer and actor Harry Styles). The enigmatic brochure makes an appearance again, this time in the form of a postage stamp. “At The Post Office” is directed by Gus Van Sant and Alessandro Michele, Gucci Creative Director.
The seven episodes will be released daily through the course of the festival as an exclusive broadcast on GucciFest.com, gradually revealing the collection day by day.
For Spring/Summer 2026, Palomo returned to Madrid. The setting was The Palace Hotel, an intimate presentation that marked a homecoming after several seasons in New York.
Gucci introduces a new sneaker, the Gucci Shift, designed for motion. It translates the House’s athletic history into a form made for the rhythm of now.
Take a look at Campillo’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during New York Fashion Week, in exclusive for Fucking Young!
The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
