This Fall/Winter 2015 season Y-3 takes flight, back to the days of the original pioneer, the forerunners of modern aviation. Back to the men and women who dared to go further, higher, and faster than ever before, and to the time where human achievement pushed the boundaries for all.
This FW15 campaign takes the nostalgia of the golden age of flight into the modern world of the bold 3 stripes and Yohji Yamamoto’s high-tech designs.
Shot by Harley Weir and directed by Lloyd&Co, the campaign images evoke a heroic and ethereal nature through distorted senses of height and perspective, creating an extreme sense of vertigo. The aviators display bold and graphic shapes iconic to the Y-3 brand, cast against a clear blue sky, as the wind picks up and creates flight and movement in an otherwise sharp and tailored sense of military-inspired apparel.
The FW15 film plays out this sense of vertigo even further, not knowing which way is up or down, the aviators appear to be in constant flight. Historic notions of code breaking and aviation radar chatter reverberate throughout, messages from mission control guiding the flight. The campaign showcases the high-tech, military-inspired apparel in an ethereal world of aerial imagery and blue skies, translated into print, digital, a mood video, in-store displays and supplementary materials.
The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
James Edward photographed by Jess Segal and styled by Heloise Chauvenhei, with creative direction by Charlotte Carter, in exclusive for Fucking Young! Online.
PUMA’s Talon sneaker, first launched in 2004, is a relic from a specific time. It’s a shoe pulled from the archive, but its new collaboration with NO/FAITH Studios is about more than just nostalgia.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.