Each short film references Walter Van Beirendonck ’s latest collection, interest in early 70s punk culture, Alice in Wonderland, wild and colorful make-up, brutal beauty, and multiracialism.
TREMORS creative director Maks Fus-Mickiewicz worked with muses he met online and in London club nights, such as The Abyss, to create three videos titled Brutal Love, Total Liquidity, and Self Destruction.
“Toy-like avatars explore extreme identities, defy mainstream beauty standards, and ask audiences to question their own racial, sexual, and psychological make-up,” says Maks Fus-Mickiewicz.
“These 3D spaces speak to Walter Van Beirendonck’s interest in utopias – the need to dream in order to not only escape reality but to challenge it. In doing so they ask us to break free from the mind-forged chains of convention we weigh ourselves down with day to day.”
TOTAL LIQUIDITY: Salvia consistently alters herself beyond recognition to create beautifully alien personas that put ‘natural beauty’ advocates to shame. Using several of Salvia ’s looks, Team Hyperalliance, made up of artist Ines Alpha and producer Panteros666, have created a high-energy video that pushes identity as a fluid concept.
BRUTAL LOVE: performance artist Maria Forqué uses her body as a tool to explore feminine vulnerability. Taking inspiration from L’Origine du monde by Gustav Courbet, artist Jennifer Mehigan has placed Forqué in a jarring landscape designed to subvert the straight gaze, with a dissonant soundtrack created by PAN records producer Flora Yin-Wong.
SELF DESTRUCTION: Liza Keane is a fashion designer and performance artist who dwells within London’s hedonistic underground club scene. Her punk-rock penchant for self-destruction is embodied in a film by artist Claudia Maté, where she smashes a Chucky-like doll version of herself to release her demon spirit to an off-kilter lullaby by producer Soda Plains.
With this collection, Ludovic de Saint Sernin crowns a new aristocracy. In this world, elegance is a form of liberation, sensuality is power, and the ultimate luxury is belonging.
Maison Kitsuné presents its SS26 collection, titled Voyage Vestiaire. This season marks the debut of the house’s new Creative Director, Abigail Smiley-Smith.
Alessandro Michele unveils his Valentino SS26 collection, “Fireflies,” a sartorial manifesto inspired by Pier Paolo Pasolini’s writings on finding light and desire in the dark.
Ann Demeulemeester is known for creating a strong contrast between structure and softness, but for Spring/Summer 2026, it was the softer side that came out.
Artist Josué Thomas presents a photographic project titled I ♥ Paris (quand ce n’est pas la fashion week). It is a meditation on the city, focusing on the life that exists beyond its most famous events.
Guided by designer Daisuke Obana’s philosophy of deconstruction and reassembly, the capsule collection filters Baracuta’s British heritage through a minimalist and detail-oriented lens.
The fashion label grounds presented its SS26 collection in a raw, brutalist parking garage during Paris Fashion Week. The setting set the tone for what was inside.
The act of getting dressed is a personal audition for the day ahead. We create a silhouette and try on different versions of ourselves until the look fits the part we want to play.
Hugo Gonzalez, Sebastián Terranova, Miquel Villena and Nil Frago shot by Carlos Venegas and styled by Magda Rodriguez, in exclusive for Fucking Young! Online.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
