This is the concluding chapter in a trilogy of collections by Wales Bonner revealing threads between Britain and the Caribbean. Black Sunlight illuminates a world of Caribbean Thought and Black British intellectualism.
The collection presents a continued partnership between Wales Bonner and adidas Originals, offering a timeless wardrobe of Collegiate leisurewear, and low profile sneakers in luxurious leathers and playful nylon, team kit for a gifted community.
The light of Black Sunlight, produced in collaboration with Jamaican filmmaker Jeano Edwards, becomes a film memory of the collection. Captured between Port Antonio and Kingston in Jamaica and London’s Goodenough College, this exploration of transcendent, intersectional intellect reverberates with the ambient sounds of musician Laraaji – resonating the rich complication of diasporic sound and creation.
Contributing Director: Jeano Edwards
Creative Direction: Imogen Snell at ISStudio
Cinematographer: Rachel Clark
Production: Lucy Hunt at Gainsbury & Whiting
Edit: Parallax
Colour: COLOURED ONLY
Sound: Laraaji
Photography: Sean and Sang
Styling: Tom Guinness
Grooming: Erika Neumann
Photography: Sean and Sang
Art Direction: Ben Kelway
Styling: Tom Guinness
Makeup: Lauren Parsons at Art Partner
Hair: Cyndia Harvey at Art Partner
Production: Lucy Hunt at Gainsbury & Whiting
Casting: Finlay Macauley at Establishment
Makeup Assistants: Anastasia Hess and Izzy Kennedy
Hair Assistants: Pal Berdahl and Selasie Ackuaku
Stylist Assistant: Anastasia Xirouchakis
Photography Assistants: Jack Snell and Victor Rakosnik
HAIKURE’s SS26 collection, Come As You Are, is for people who want to feel good without the effort, who wear clothes that fit their lives, not the other way around.
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
We had the chance to catch up with Ohio-born, Brooklyn-based designer Kody Phillips in his Paris Fashion Week showroom where he unveiled his Spring/Summer 2026 collection.
Dean and Dan doubled down on their love of fashion’s most dramatic moments, remixing 80s power dressing, 90s grunge, and 2000s excess into something entirely their own.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
