This is the concluding chapter in a trilogy of collections by Wales Bonner revealing threads between Britain and the Caribbean. Black Sunlight illuminates a world of Caribbean Thought and Black British intellectualism.
The collection presents a continued partnership between Wales Bonner and adidas Originals, offering a timeless wardrobe of Collegiate leisurewear, and low profile sneakers in luxurious leathers and playful nylon, team kit for a gifted community.
The light of Black Sunlight, produced in collaboration with Jamaican filmmaker Jeano Edwards, becomes a film memory of the collection. Captured between Port Antonio and Kingston in Jamaica and London’s Goodenough College, this exploration of transcendent, intersectional intellect reverberates with the ambient sounds of musician Laraaji – resonating the rich complication of diasporic sound and creation.
Contributing Director: Jeano Edwards
Creative Direction: Imogen Snell at ISStudio
Cinematographer: Rachel Clark
Production: Lucy Hunt at Gainsbury & Whiting
Edit: Parallax
Colour: COLOURED ONLY
Sound: Laraaji
Photography: Sean and Sang
Styling: Tom Guinness
Grooming: Erika Neumann
Photography: Sean and Sang
Art Direction: Ben Kelway
Styling: Tom Guinness
Makeup: Lauren Parsons at Art Partner
Hair: Cyndia Harvey at Art Partner
Production: Lucy Hunt at Gainsbury & Whiting
Casting: Finlay Macauley at Establishment
Makeup Assistants: Anastasia Hess and Izzy Kennedy
Hair Assistants: Pal Berdahl and Selasie Ackuaku
Stylist Assistant: Anastasia Xirouchakis
Photography Assistants: Jack Snell and Victor Rakosnik
We headed down to Geneva over the weekend for the HEAD Fashion Show, made up of 23 Bachelor and 8 Master graduate collections offering a fresh, diverse, and contemplative reading of what clothing can be today.
Over four intense days, 30 students from across Europe breathed strange, electric life into discarded garments — relics pulled back from the brink and reimagined with hands that refuse to waste. What emerged wasn’t just clothing, but a shared vocabulary: sustainability as a dialect, mending as a manifesto.
AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
In the digital age, a “personal brand” is often a carefully curated facade. But for Carlos Vasconcellos, it’s something far more authentic: a direct line to his soul.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.