Vallechi‘s latest song, “AnytiMe,” isn’t just about time; it’s an attempt to make it feel. The music doesn’t just tell you about time’s abstract nature; it tries to make you experience how time can feel fluid and unpredictable.
The song plays with our expectations of how time should flow. Sometimes it feels like time is rushing by, while other times it seems to crawl. “AnytiMe” captures this by shifting between different rhythms and tempos, even though the overall beat might remain the same. This creates a sense of time bending and warping, just like it does in our own lives.
Vallechi draws inspiration from scientific ideas like relativity, where time can slow down or speed up depending on where you are in the universe. The music reflects this by creating a sense of disorientation, making the listener question their own perception of time. It’s like the song is saying that time isn’t a fixed thing, but something that’s constantly changing and adapting.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
In the digital age, a “personal brand” is often a carefully curated facade. But for Carlos Vasconcellos, it’s something far more authentic: a direct line to his soul.
TATRAS presents a new project titled “Layers of Japanese Craft.” It is a limited-edition capsule collection created with the traditional lacquer artisans of Wajima city.
Danish label Les Deux has opened its first flagship store outside Scandinavia, right in the heart of Le Marais, one of the city’s most dynamic neighborhoods.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
