Vallechi‘s latest song, “AnytiMe,” isn’t just about time; it’s an attempt to make it feel. The music doesn’t just tell you about time’s abstract nature; it tries to make you experience how time can feel fluid and unpredictable.
The song plays with our expectations of how time should flow. Sometimes it feels like time is rushing by, while other times it seems to crawl. “AnytiMe” captures this by shifting between different rhythms and tempos, even though the overall beat might remain the same. This creates a sense of time bending and warping, just like it does in our own lives.
Vallechi draws inspiration from scientific ideas like relativity, where time can slow down or speed up depending on where you are in the universe. The music reflects this by creating a sense of disorientation, making the listener question their own perception of time. It’s like the song is saying that time isn’t a fixed thing, but something that’s constantly changing and adapting.
For Spring/Summer 2026, Palomo returned to Madrid. The setting was The Palace Hotel, an intimate presentation that marked a homecoming after several seasons in New York.
Gucci introduces a new sneaker, the Gucci Shift, designed for motion. It translates the House’s athletic history into a form made for the rhythm of now.
Take a look at Campillo’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during New York Fashion Week, in exclusive for Fucking Young!
The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
