Vallechi‘s latest song, “AnytiMe,” isn’t just about time; it’s an attempt to make it feel. The music doesn’t just tell you about time’s abstract nature; it tries to make you experience how time can feel fluid and unpredictable.
The song plays with our expectations of how time should flow. Sometimes it feels like time is rushing by, while other times it seems to crawl. “AnytiMe” captures this by shifting between different rhythms and tempos, even though the overall beat might remain the same. This creates a sense of time bending and warping, just like it does in our own lives.
Vallechi draws inspiration from scientific ideas like relativity, where time can slow down or speed up depending on where you are in the universe. The music reflects this by creating a sense of disorientation, making the listener question their own perception of time. It’s like the song is saying that time isn’t a fixed thing, but something that’s constantly changing and adapting.
Benji Blue Pills has come a long way since his early boom bap days, now carving a distinct niche in electronic trap with vintage synths and a fresh, immersive sound.
The Schreiberling, meaning “scribbler,” is a limited-edition writing instrument inspired by Montblanc’s historical “Baby” models from the early 20th century.
Jean Paul Gaultier opens the doors of his Paris headquarters for Et Gaultier créa l’Homme: Le Male – Passé, Présent, Futur, a sensory exhibition celebrating the iconic fragrance Le Male.
adidas Originals and Sneakersnstuff (SNS) have teamed up for the fifth installment of their SNS GT II, a hybrid sneaker that combines elements from two adidas classics.
Fangs, wings, and other ways to survive. Nicasio Torres and his new paints exhibition in Palo Alto Barcelona. Somewhere between desire and dissidence, a creature with oil-painted wings and graphite claws begins to stir.
This year, Beach House, Kim Deal, Spiritualized, Caribou, Stereolab, and Amaia joined the growing list of recipients for the festival’s Can’t Do Without You Award.
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Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
