It was back in 2007 when Toph Taylor and his peculiar voice and productions first presented a whole album as the first sign of life of Trouble Over Tokyo, an amazing band. We are used to immediately linking pop music to mainstream, big popstars’ lifestyle and chart topping but there are lots of bands and singers coming out lately reinforcing the idea of pop music as a genre, especially in the independent scene. Thank God for PopJustice, Amen.
Trouble Over Tokyo sounds like Justin Timberlake, but self-produced, which places them closer to (an early) Patrick Wolf in terms of sound. Beats travel with guitar riffs, high notes and electro drums. This project is really special, original and they take care of all the details of this homemade but very professional musical product. We really enjoyed all the drafted drawings of the Pyramids, first album that included the amazing tune Save Us, a really good example of a pop song that should be played on the radio nowadays if people were ready for evolution in terms of musical genres.
They are back now; they actually released the second album entitled “The Hurricane” last October. You can get the Cd plus a beautiful book related to the whole concept of this new piece. You can also purchase it on iTunes. Highlights of the record include the funny addiction and hit worthy Eject, and Kryptonite is a very respectable single with a very respectable video which you can watch below or above, depending on the position of the embed video the webmaster chooses for this article. Back to the music; Sleepwalkersounds very Of Montreal with a cool electronic twist, The Blood resembles Radiohead but more mystical and modern and Flames Flicker is a very dreamy pop song. The Hurricaneis a controlled psychedelic trip and Wanderer and Operate just increase the quality of this album.
If anybody remembers a 90’s band called Kemopetrol, this is a male version with the consequential progress of this new decade. Intense, special, peculiar, sentimental, alternative and accessible. Worthy.
Berlin Fashion Week served as the stage for SF1OG’s SS26 collection, a deeply personal examination of love’s darker edges, obsession, fragility, and emotional unraveling.
Chitose Abe remains one of the most avant-garde voices of her generation, capable of injecting freshness, desire, and direction into a fashion that needs it more than ever.
PUMA and JJJJound have done it again. Their latest collaboration takes the spiked silhouette of the 1999 PUMA Mostro and strips it down to its essentials.
This Pride month, The Barcelona EDITION isn’t just waving a flag—it’s becoming one. From graphic art explosions to drag royalty brunches, the hotel pulses with a raw, vivid celebration of queer creativity, inclusion, and unfiltered joy.
Change isn’t always about moving forward, but sometimes, it’s about holding on. For their Spring/Summer 2026 collection, Milieuschutz, Richert Beil explores exactly that tension.
Inspired by the hidden love stories of novels like Maurice, Swimming in the Dark, and Young Mungo, the collection moves through three emotional stages of queer coming-of-age: concealment, self-acceptance, and the bittersweet weight of memory.
Through its new CGI campaign, “Beyond Real, Beyond Now,” and a community-driven approach, REVERSIBLE is bridging the gap between inspiration and accessibility.
Louis Vuitton’s latest travel campaign takes viewers on a visual journey through China, reimagining travel as an experience rather than just a destination.
Paris Fashion Week witnessed Steven Passaro’s Moonlit Lover Spring/Summer 2026 collection, an exemplar of the aftermath of love encountered after midnight and gone before sunrise.
Because home should never be denied to anyone. In a world where home shouldn’t be a privilege but a right, artist and activist Charlie Smits is stepping up. Smits has teamed up with Fundación… »
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
