Making reference to the punk movement on a lighter tone, Street mixes prints of tie-dye, camouflages, and the still going strong lettering. All in an earthy colour scheme, the plain and warm tones will add depth and personality to your summer look.
On the other hand, Denim steps ahead from the last campaign’s cleaner image in favour of more premium clothing, in a lovely 90’s mood with inspired details such as rips, stitching, sketch prints, paint spots and tie-dye washes.
Blending with light greys, brown shades and more earthy tones, the Smart Look shouts out loud it’s roots through straighter lines, flowing shapes, never putting aside it’s key items: the ‘perfect’ jacket, tailored trousers, and of course, the trench coat.
The Night Collection it’s all about layering, tailored silhouettes, dyed pitch black with touches of white and some minimal lettering.
With a clear Nordic influence, the Casual look combines urban wear like cotton parkas, indigos, camouflage prints in light tones, floral on diverse textures and ornate fabrics, making the romance-inspired prints and yellow shades this season’s delight.
The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
James Edward photographed by Jess Segal and styled by Heloise Chauvenhei, with creative direction by Charlotte Carter, in exclusive for Fucking Young! Online.
PUMA’s Talon sneaker, first launched in 2004, is a relic from a specific time. It’s a shoe pulled from the archive, but its new collaboration with NO/FAITH Studios is about more than just nostalgia.
This season confirms SHOOP’s design approach. It draws from the everyday and reinterprets it through a poetic, modern lens, creating a language that joins the functional with the emotional.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
