The suspense is terrible, I hope it will last: Mel Ramos, the Gmurzynska selection
by Adriano Batista

Galerie Gmurzynska is thrilled to premiere a career-spanning solo exhibition of the iconic pop artist Mel Ramos, entitled “The suspense is terrible, I hope it will last: Mel Ramos, the Gmurzynska selection“. Following two successful prior shows, the gallery is proud to continue its collaboration with the Ramos estate and present a curated selection of the artist’s most significant works in both sculpture and painting.

The exhibition will take place across both of Galerie Gmurzynska’s Zurich gallery spaces and will delve into how Ramos established himself as one of the most prominent pop artists of his time, based in Sacramento, California. Known for his meticulous painterly technique and his generosity as a teacher, Ramos limited his output to just a few paintings a year. Hence, the inclusion of four paintings, including the historic “Man of Steel” from 1962, makes this exhibition a standout. Alongside these paintings, eleven sculptures, including the iconic “Chiquita Banana”, as well as Ramos’ celebrated multiples, round out the rest of the exhibition.

Ramos’ focus on placing the female nude as the central figure in many of his works playfully parodies the male use of the female body in 20th-century advertising tropes and art history. Critics and fellow artists, including his mentor Wayne Thiebaud, Roy Lichtenstein, and Tom Wesselmann, praised Ramos as a trailblazer who pushed the envelope of Pop art to its maximum potential.

Ramos continued to influence generations of contemporary artists as a professor and tireless educator. Today, his work is held in numerous collections, including the Guggenheim Museum, the Museum of Modern Art, and the Whitney Museum of Art in New York, the Museum of Contemporary Art in Los Angeles, and the Museum Moderner Kunst in Vienna.

To accompany the exhibition, a fully illustrated catalog will be released, featuring an essay from the renowned Pop art scholar Marco Livingstone and an interview with actor George Hamilton.
In the words of Mel Ramos himself, “The whole point of my art is that art grows out of art. That is central, no matter whether it is high art, low art, popular, or what. Comic books, girlie magazines, magazine ads, billboards are all art to me.” And, as his mentor Wayne Thiebaud boldly stated, “I am going to make a very bold statement and say that Mel is a much more important and interesting and greater painter than Andy Warhol.”

All images courtesy of Galerie Gmurzynska
THE SUSPENSE IS TERRIBLE, I HOPE IT WILL LAST: MEL RAMOS
the Gmurzynska selection
Paradeplatz 2 & Talstrasse 37 | 8001 Zurich
March 30 – May 31, 2023
Kenneth Ize presents its FW23 collection after a six-month hiatus
A conversation with Jaé Joseph, founder of BAO Essentials
Because home should never be denied to anyone. In a world where home shouldn’t be a privilege but a right, artist and activist Charlie Smits is stepping up. Smits has teamed up with Fundación… »
Simon Porte Jacquemus has fulfilled his dream, and in the process, he continues to invite us to dream with him.
We checked in with Takuya Morikawa to talk process, evolution, and the foundation in the essence of creation.
Berlin Fashion Week saw the return of Milk of Lime, fresh off their Berlin Contemporary win, with their Spring/Summer 2026 collection, CHIME.
Craig Green’s Spring/Summer 2026 collection feels like a half-remembered dream with shapes you recognize, but shifted just enough to make you look twice.
Photographer Denzil Jacobs presents a selection of eclectic looks photographed on the streets of Paris during Men’s Paris Fashion Week, outside Amiri, Rick Owens, 3.Paradis, Kidsuper and more, exclusively for Fucking Young!
Ikko Ohira photographed by Luis May and styled by Timothée Geny La Rocca, in exclusive for Fucking Young! Online.
At Paris Men’s Fashion Week, NAMESAKE’s Spring/Summer 2026 collection, INNERCHILD, didn’t just show clothes but also memories.
Designer Andrea Pompilio maps a wardrobe for modern nomads, one that looks collected rather than curated.
Louis Vuitton has always been about journeys, both literal and imaginative.
VIKTORANISIMOV chose an unlikely stage for its first Berlin Fashion Week presentation: a former telecommunications bunker, now The Feuerle Collection museum.
After the show, designer Feng Chen Wang caught up with us, to open up about the emotion behind this collection, and the brand’s evolving identity – accompanied by backstage moments captured by Leiya Wang.
Take a look at DOUBLET’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Take a look at KIDSUPER’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
For Camiel Fortgens’ SS26, models walked the actual streets of Paris during Fashion Week, portable speakers in hand, each playing a fragment of the show’s soundtrack.
Singer-songwriter HUMBE is Mexico’s breakout pop star, leading us into a new era of sentimental pop.
Created with artist Samuel de Sabóia, the lineup weaves together regeneration, spirituality, and a question: What does the future of fashion look like?
ZIGGY CHEN’s PRITRIKE doesn’t shout. It hums like the low, steady pulse of rain on summer earth.
For their SS26 show, the adidas and Yohji Yamamoto collaboration traded the standard runway for something more visceral: a four-act performance directed by choreographer Kiani Del Valle.
After showing off-calendar for two seasons in a presentation format, the 2023 LVMH Prize-nominated designer Kartik Kumra is now the first Indian designer to be on the official menswear calendar.
SANKUANZ’s Spring/Summer 2026 collection finds its heartbeat in Tara, the Tibetan Buddhist goddess who exists between two worlds, both enlightened and earthly.
Creative director Julian Klausner builds his first men’s collection for the house like a love letter to contradictions.
Fashion often pretends to have answers. TAAKK’s Spring/Summer 2026 collection prefers questions.
Doublet doesn’t ask you to change the world. It just shows what happens when fashion remembers where it comes from.
The idea is simple but clever: take the rigid codes of a gentleman’s wardrobe and soften them for the heat.
For SS26, Hung La’s LỰU ĐẠN closes its trilogy “MAYHEM,” “YOU DON’T BELONG HERE,” and now “NO MAN’S LAND”, with a collection that stares straight at the people society ignores.
Marine Serre‘s Spring/Summer 2026 collection is about the quiet revolution happening in every stitch. Titled THE SOURCE, this is clothing that moves with purpose, crafted by hands that treat savoir-faire not as a relic, but as rebellion.
Here,… »
When J Balvin puts his name on something, you know it won’t be ordinary.
C.R.E.O.L.E.’s DOM TOP FEVER collection is a reckoning. It digs into displacement, memory, and the act of reclaiming stories that have been buried or distorted.
Entitled ‘The Boy Who Jumped the Moon’, this latest KidSuper collection explored key notions of naïveté, innocence and dreams, which are some of the defining characteristics of any childhood.