For Gran Turismo 7 – available exclusively on PlayStation 4 and PlayStation 5 consoles – Kim Jones has thought up a virtual capsule, thus signing the house’s first project with the world of gaming. In conjunction with the Gran Turismo world series 2022 world finals, Dior pursued this passionate dialogue, underscored by audacity and innovation, by bringing Skins, conceived for the video game, to life.
During the event, which took place from November 24 to 27 in Monaco, these unprecedented pieces were exhibited to bear witness to the inventiveness of the Maison and the excellence of its ateliers. Combining Dior fundamentals and those of the automobile sports universe, an entirely quilted one-piece suit recalling the graphic lines of cannage has been devised using a process known as “panino a panino,” which brings texture to the pattern, while the iconic Dior Oblique is revealed in tone-on-tone, thanks to a frame-printing technique. Evoking the names of sponsors that usually punctuate pilots’ outfits, embroidery and placed patches celebrate the house’s emblems, from the CD Diamond to the “Christian Dior couture” mention, and the year ’47 – referring to the date of the first Dior show – adorning the front and back of the silhouette. These symbols are also deployed on a series of accessories, including hand-sewn and assembled gloves, made by the italian manufacturer dal dosso, the specialist of equipment dedicated to formula 1.
Rethought in the tradition of rally shoes, the design of the Diorizon boots is adorned with an ankle strap decorated with the Dior logo, applied in high frequency, and in Dior oblique jacquard. The latter motif is also stenciled on the visor of a hand-painted helmet providing successive shielding, and then delicately varnished.
An ode to going beyond oneself and to the values of sport, celebrated through the prism of a constantly renewed creativity.
Unlike traditional grants or one-off prizes, this is a comprehensive two-year accelerator that provides runway production, mentorship, retail access, and a high-profile collaboration to set designers up for long-term success.
Cities change, and so do the people who live in them. wetheknot’s new seasonal capsule, Goodbye Lisbon, is built on that tension—between the city we know and the one we hope to see.
“UNDERSEX” is a photo project of the non-existent association “FAUX”. It is dedicated to artists in emigration from different countries and is designed to resemble a provincial Siberian newspaper, contrasting with erotic visuals, as this theme is still taboo in Russia and Eastern countries.
Illustrator Nicasio Torres and Makeo.Top, a secondhand clothing project led by Eme Rock, began a collaboration that turns discarded clothes into wearable art.
At Milan Design Week 2025, CUPRA unveiled its latest venture—the CUPRA Design House—marking a deliberate step beyond automotive design into broader creative territory.
PDF’s new Spring/Summer 2025 campaign, “Holy Motor,” puts football at the center—not just as a sport, but as a driving force behind the brand’s latest collection.
With this collection, Louis Vuitton moves further into home design, using its craftsmanship to create objects that fit into everyday life while keeping the brand’s recognizable style.
Camper’s legacy isn’t just about footwear. It’s about a way of working, an insistence on craft, and a refusal to separate the functional from the beautiful. And for 50 years, that’s been enough.
Spring is here and we just got that sweet first hit of Vitamin D! Instead of investing in any major new trends this season, I asked our editors what is on their spring wish list and what their tried and… »
RIMOWA and MYKITA have come together to create something unexpected: a sunglasses collection that blends luggage-grade durability with eyewear innovation.
+380 pages to change the channel: from Big Brother, to Buffy, a dating program, music from 90s, weathermen, a late show, Uggly Betty, Sex & the city, tattoos… and more!
Our must-see TV lineup includes pop-culture phenomenons from Gossip Girl star Evan Mock gracing the cover shot by TianZheng Yun, in a shooting inspired by the “Ugly Betty” series.
