With the heatwave in full swing and the fashion world eagerly awaiting Demna‘s first moves as the new creative director, Italian fashion house Gucci presents its new Fall/Winter 2025 campaign, “The Gucci Portrait Series.”
Renowned photographer Catherine Opie is responsible for capturing this new visual narrative, turning her lens on a group of forty-two unique individuals. Each portrait exudes authenticity and intimacy, composing a human mosaic as diverse as it is captivating. These are real faces, with their own stories, embodying the emotional and aesthetic richness that the brand seeks to highlight this season.
In terms of style, the campaign naturally embraces the brand’s timeless codes: the impeccable blend of sprezzatura — that effortless elegance so typical of Italy — and the air of unstructured sophistication that has defined the company since its inception. The looks from the Fall/Winter line are organically integrated into each image, highlighting a fashion that is as much attitude as it is art.
As a visual and emotional complement, the campaign expands into a series of videos directed by Lisa Rovner. In them, the protagonists answer open-ended questions that generate spontaneous moments of humour, reflection, and nostalgia. An intimate touch that further humanises the proposal.
In the digital age, a “personal brand” is often a carefully curated facade. But for Carlos Vasconcellos, it’s something far more authentic: a direct line to his soul.
TATRAS presents a new project titled “Layers of Japanese Craft.” It is a limited-edition capsule collection created with the traditional lacquer artisans of Wajima city.
Danish label Les Deux has opened its first flagship store outside Scandinavia, right in the heart of Le Marais, one of the city’s most dynamic neighborhoods.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
