Atentos… dos personas salen huyendo tras cometer un robo, no llevan una media o pasamontañas, simplemente llevan caretas con la cara de Terry Richardson. Se suben a un furgón y se quitan las caretas: es el propio Terry y su complice es Kate Moss. El furgón está lleno de ropa, toda es de Mango. Ella rebusca entre el montón de ropa… atraviesan París a toda velocidad hasta que llegan a un parking vacío, y se suben a un ascensor.
Lo que ninguno de los 500 espectadores privilegiados podía imaginar hace dos días, mientras veía ese vídeo es que iba a tener conexión con el desfile, el primero de Mango en París. La proyección de la pieza dirigida por Richardson se enlazó con una en tiempo real en la que se veía a la pareja saliendo del ascensor y recorriendo el inconfundible Pompidou.
Después, Kate Moss desfilando sin desfilar se paseo hasta su asiento en primerísima fila, al lado de Isak Andic, presidente de Mango. En primera fila también estaba Bryan Boy o Emmanuelle Alt, directora de ‘Vogue París’.
Una noche en la que también estrenó logo. La inconfundible tipografía de las bolsas y carteles es sustuida por otra, de letras más estilizadas. Abajo, en pequeñito, se puede leer Barcelona.
El video, que supuestamente no se podría ver hasta septiembre en la web de Mango, fue subido ayer al canal de Vimeo de Terry.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
With a remarkable voice that challenges the status quo, Marval Rex is redefining cultural + transgender identities through the lens of comedy, performance, and thoughtful discourse.
Rombaut’s new drop, Ground I, is the latest step in their barefoot series, a shoe that keeps getting simpler, quieter, more like a sculpture than just footwear.
Somewhere between pop spellcasting and club catharsis, the line between artist and alter ego blurs into something feral, fabulous, and dangerously seductive.
From November 14 to 16, 2025, Maastricht will once again transform into a hub for fashion, art, and performance as the FASHIONCLASH Festival kicks off its 17th edition.
Drowning in all the new music releases? We’ve got you covered. Dive into our handpicked selection of this week’s standout tracks, from rising stars to iconic artists.
We just got back from our first Yaga Gathering off the map, deep in the Dzukija forests in Lithuania. We were greeted with heavy rains and friendly people, who told us this was a magical healing forest,… »
For its Summer 2025 campaign, GUESS JEANS taps Hawaiian model-actor-skater Evan Mock and LA creative Alana Champion to channel the effortless cool of its most iconic ads.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
